California experimental pop band Gold Record recently released the heartfelt single “Big Eyes.” This melodic track will appear on the band’s upcoming full-length album, Desert Soul, set for release in October. “Big Eyes” is a lyrically thought-provoking ballad penned by songwriter Noah Clark. The track is mixed and produced by Nicolas Vernhes, known for his work with Dirty Projectors, Animal Collective, and The War on Drugs. Gold Record creates peaceful yet vibrant soundscapes with this summer single.
Pulling from local inspiration, the band set out to record this project around Joshua Tree National Park in the Mojave Desert. “Big Eyes” whispers evocative lyrics like, “You’re talking like you’d run this bar here better. The scent of the ink from old love letters lingers like the scars from times you’d met her…when the chords you borrowed were the only ones she liked.”
Our Review of “Big Eyes” by Gold Record
For fans ofDirty Projectors, Tame Impala, Passion Pit, or LCD Soundsystem
The downtempo style of “Big Eyes” perfectly suits this heartfelt ballad. The atmosphere of the chorus allows the listener to reflect on the story while consuming soul-stirring melodies. Lyrically, the track hits the scope of the emotions that Noah Clark is sharing. “Big Eyes” is a nice contrast to some of Gold Record’s previous singles. Furthermore, this song shows the depth Gold Record has to offer as songwriters, performers, and recording artists.
If you’re looking for some chill-out desert vibe tracks, you will appreciate the laidback style and grooves of Gold Record. Songs like “Big Eyes,” “The Groove Infinite,” and “Azalea Charms” capture the feeling of the desert heat and palm trees waving. Kick back and meditate to these breezy and transcendent tunes for the end of summer.
Check out the “Big Eyes” music video below and be on the lookout for the band’s full-length album, Desert Soul, coming October 2023.
Seye Adelekan is best known as the bass guitar player with the animated U.K. band Gorillaz. Adelekan, a man of many hats, is also a multi-instrumentalist, composer, producer, lyricist, and solo artist. His new single, “A River,” is the first release from his upcoming EP with the same title. Seye’s articulate songwriting, hypnotic vocals, and melancholy lyrics set his music apart from anything he has previously worked on. “A River,” out today, touches the listener immediately with its alluring introduction, emotionally charged vocal performance, and melodic chorus. This incredible song holds an unparalleled spot on our blog, where we chat with Seye Adelekan as he embarks on a remarkable new journey.
Photo by Dav Stewart
Artist Q&A: Seye Adelekan
PDLR: How has performing live with Gorillaz shaped you as a solo artist?
Seye Adelekan: “The best thing I’ve picked up is the importance of collaboration. No great artist is an island or has all the best ideas or abilities. If you surround yourself with great people who help you do what you do best or add something you cannot, then it all just adds up to a better result.”
PDLR: What is one of your most memorable moments from touring with Gorillaz?
Seye Adelekan: “There have been many, but I would say anytime we go to South Africa, it’s always one for the ages.”
Photo by Dav Stewart
“A River”
PDLR: In “A River,” you describe the need to help someone while also going through your own struggles. Can you provide more details about the backstory of this track?
Seye Adelekan: “The song originated almost as a stream of consciousness. My friend Charlie had the chords, and we just turned on a microphone, and those words and melody came out! It felt like I was speaking to my slightly younger self, reaching out into the past when I was lost.”
PDLR: Did you work with other artists, producers, and collaborators for the making of “A River?”
Seye Adelekan: “My dear friend Charlie Morton is a long-time co-writer and production partner. Our friend Yves Fernández was also there during the writing process in Iceland, where we did the initial sessions for the upcoming EP. Both top lads and help me to be a better me!”
“Slow down, rest your head. They may be gone, but it’s not the end.”
-A River
Upcoming EP & Overall Sound
PDLR: What is the overall inspiration/theme for your upcoming EP?
Seye Adelekan: “The themes are hope, sobriety, love, and a bit of loss. Loss of an old self. I was also inspired by the Icelandic landscape. It gives a cooler temperature to the songs, I feel.”
PDLR: What do you want your fans/music fans to know about your musical style as a solo artist?
Seye Adelekan: “My music sounds nothing like the people you would have seen me perform with in the past. I think that’s a good thing, and I hope my fans have an open mind to getting something sometimes melancholy, sometimes sweet, not super upbeat, but always melodic. The tracks bounce instead of bop, haha; if you like Bahamas, John Mayer, Ryan Adams, or Bon Iver, there is probably something in there for you.”
“A River” is out now on all streaming platforms. Check out the music video below, and follow Seye on social media for more upcoming news.
It’s no secret that more and more women are dominating the music industry and finding unique ways to get their voices heard. This month, we’ve received countless buzz-worthy submissions from emerging indie female artists all over the globe. This post highlights some phenomenal women to watch for the summer in the independent music scene.
ALBA is a French pop artist who released her most recent EP, Le bon sens, on July 5th. Her polarizing two-single project, “Oh! Chéri !” and “Oui chérie ?” shows a relationship from both sides (chéri/chérie) with two different production styles.
The first, “Oh! Chéri !” depicts a frustrated partner singing, “dis-moi pourquoi avec toi, c’est toujours comme ça ? Les promesses vaines, ta mauvaise foi* !” While the visual is in color, the song stays in a melancholic realm of doubt, unanswered questions, and exasperation. In contrast, “Oui chérie ?” is a more upbeat, synth-pop track responding to all the questions. “J’ai jamais menti. Je vois bien le problème, mais moi, j’ai rien promis**.” ALBA portrays this “couldn’t care less” side of the story in a black & white video accompanied by violins and a Latin influence.
*Tell me why it’s always the same with you? Your vain promises and bad faith.
**I never lied. I can see the problem, but I didn’t promise anything.
Amelie Lucille’s latest single, “Mess,” will have you questioning whether you are listening to Billie Eilish, Nina Nesbitt, or Olivia Rodrigo. The NYC indie-folk artist released her self-titled debut EP on June 15th. At the young age of 14, she already sets herself apart with her classic influences ranging from Björk to Lana Del Rey. Her pure vocals and tone highlight her “old soul” mentality. “Mess” is one of seven tracks on her EP. The single is well-polished, exquisitely written, and perfectly delivered. Within seconds of listening to this track, you won’t believe your ears. Furthermore, Amelie Lucille emulates raw talent and poise and is undoubtedly an artist to watch in the indie scene.
Parisian pop artist Ferielle shares singles “JAMAIS” and “JETER UN SORT” on her debut EP l’eau qui dort. Her voice is sublime and rich, often compared to the likes of Maggie Rogers or King Princess in her musical style. You may recognize her 2022 single, “dis-moi on où va,” from season 3 of Emily in Paris. Her voice is undoubtedly recognizable, soft, and ethereal. The catchy melodies in “dis-moi où on va” and “JAMAIS” linger in your head, even if you don’t speak French. Her music transports you to a lighthearted rom-com movie you idolized in the 90s.
Pop-punk sister trio, Hello Sister, is on a kick to follow the path of the Jonas Brothers but in the musical style of Avril Lavigne or Paramore. The Orlando, Florida sisters previously appeared on America’s Got Talent in 2021. This year, the pop-rock teens shared a catalog of singles, including “Invisible Girl,” “Lately,” “Things You Never Said,” and “tragic.” “Invisible Girl” shows a softer, more emotional side to the group, while “Lately” brings on Avril-esque teenage angst. Their songs are incredibly catchy and memorable, staying with you even after one listen. The lyrics relate to teenagers going through similar growing pains in relationships, friendships, life, and love. Above all, Hello Sister demonstrates a knack for blending genres with their charismatic flair.
Kaÿcie is a Franco-American artist born in France known for her folk/pop indie style. Her single, “MOON,” is an innovative blend of indie, pop, folk, and acoustic styles. A haunting twangy guitar rings out in the introduction, encouraging the listener to stay alert. Kaÿcie’s folky vocals lure you in and draw you to the chorus, encompassed by rock-esque guitars as it builds. It’s alluring, earthy, serene, and thought-provoking.
Her recent single, “Young Hearts,” showcases her superb vocal ability, soft indie folk style, and poetic lyricism. The chorus soars over a harmony of “My young heart is old, for my love is bold, and your fire’s beauty to behold.” Kaÿcie’s songwriting shines brightly on this track as she uses imagery to describe how her youth has dwindled, revealing an older, wiser, more poised version of herself in love.
Micaela Kleinsmith is a South African country artist and the first winner of the Apple TV+ series My Kind of Country. The series, executive produced by Reese Witherspoon and Kacey Musgraves, features coaches from the country music scene. Orville Peck scouted and coached Micaela on the show, leading her to victory. Micaela dazzled her audience with hit singles like “If I Die Young,” “Need You Now,” and “Good Kisser.” The soulful artist shared her original songs “Stupid Love” and “Butterfly” while on the show.
Micaela’s recent EP Butterfly includes her most popular single, “Raise This Cup,” a dance-worthy country drinking song. In contrast, a softer side reflects in her latest release, “Over You,” with Rudi Simon & Marcel Aquila. “Over You” spotlights her rich vocals on a surprising dance track showing her depth outside of the country music world.
French singer-songwriter Naya shared her single, “vaguémo,” a melancholic dream-pop tune. The gloomy lyrics create a somber and sorrowful atmosphere around her mesmerizing vocals. Her voice is unique and memorable after a few seconds, setting her apart from many artists in this genre. The chorus draws listeners into a trancelike state as her voice rings out, “comme une tempête qui souffle dans ta tête, et tout le flot, tout le flot de cette vague émo*.”
Naya’s hypnotic vocals and distinctive style put her in line with the likes of Holly Humberstone, Gracie Abrams, and Beach House. Most recently, Naya opened for The 1975 at the gorgeous L’Olympia music hall in Paris.
*Like a storm blowing in your head, and all the flood, all the flood of this emo wave.
Nashville country artist and former American Idol top 20 contestant, Sarah Lake, has had success lately with her single, “Good to Be Gone.” She released two versions of the track; a radio single and an acoustic version. Sarah co-wrote “Good to Be Gone” with Songland finalist Alyssa Newton. The song is produced by her husband and Grammy Nominated producer Ernie Lake. Sarah’s voice sounds flawless in this summer breakup track, especially on the acoustic version. The lyrics and storytelling aspect put you directly into the singer’s shoes. “Good to Be Gone” is an immediate earworm stuck in your head for days.
Sarah recently released a collaborative single with Lucas Grabeel entitled “Back to You.” She follows this with her brand-new track, “To Alabama,” a love song to Alabama, a peaceful place to escape. The single is a writing collaboration with the Nashville country rock group Everette.
Emerging indie pop artist tiger del flor drops an ‘in-your-face’ grunge-inspired single, “shut up and kiss me!” You may recognize the singer from the popular reality series Love Island, USA (Season 4). Del flor makes a bang with “shut up and kiss me!” combining pop, punk, and grunge elements. She pays homage to fellow Seattle legends Nirvana, Hole, and Mudhoney, some of the groups she grew up listening to. “Shut up and kiss me!” is melodic, edgy, seductive, and nostalgic; it creeps into your ears and echos in your brain. tiger del flor is gearing up to release her debut EP see me in hell.
Discover these incredible Emerging Indie Female Artists and so many others on our “New Music Emerging Now” playlists for the season.
If you want to catch up on the best new music releases this spring, look no further than our New Music Emerging Now: Spring Fever playlists. As always, this past season has unlimited music to discover from your favorite indie, pop, singer-songwriter, and alternative artists. Strong album releases came this month from Ed Sheeran, The National, and Joy Oladokun. Hot new spring singles included drops from Babe Rainbow, The Japanese House, Anderson Hao, and Diving at Dawn. Take a deep dive into our New Music Spring playlists below as the holiday weekend kicks off into summer.
Ed Sheeran shares an emotional diary of personal turmoil in relationships and professional life on -Subtract. The preliminary concept of Subtract was always acoustic and stripped down, but recent events in his private life tragically lined up with the theme. Sheeran sought instrumentals from Aaron Dessner of The National to channel some of Subtract’s more profound, intimate moments. Sheeran processes the loss of best friend Jamal Edwards and touches on grief, depression, and uncertainty. He pens his deepest, darkest songs with “Salt Water,” “Sycamore,” and “Borderline.” “Life Goes On” relates to grieving the loss of his friend while the world spins on with the daily grind.
In contrast, “Dusty” is the perfect parent-child track about listening to records and being carefree in a moment of childhood innocence. The song is squeezed between heavier tracks, bringing sunshine as Sheeran recounts a shared morning ritual with his oldest daughter. Subtract lulls to a close with a Celtic-inspired tune, “The Hills of Aberfeldy,” written with Foy Vance, to give a solemn and yearning end to a primarily heartbreaking album.
Joy Oladokun delivers Proof of Life, a stepping-out for the upcoming artist. The album sends an uplifting message to those going through “Changes,” trying to remain hopeful and working on self-improvement. Standout tracks that convey the message of the album include “Taking Things For Granted,” “Somebody Like Me,” and “Trying.” On these tracks, Oladokun longs for acceptance and understanding while challenging herself to be unbothered by opinions.
The range of artists on this album flaunts Oladokun’s genre-crossing flair. The Nashville-local singer is opening for Noah Kahan on his headlining tour, who is featured on “We’re All Gonna Die.” Other emotive collaborations on Proof of Life feature Mt. Joy, Chris Stapleton, Manchester Orchestra, and Maxo Kream. “Sweet Symphony” ft. Chris Stapleton accentuates the soulfulness of the two artists’ voices. Proof of Life is soul-searching, eloquent, and introspective, often sounding like pages of a musical diary.
The National’s most recent LP almost didn’t happen. Twins Aaron and Bryce Dessner crafted their signature undulating instrumental pieces, while lead singer Matt Berninger struggled to pen lyrics due to depression and writer’s block. Thankfully, two things helped spark Berninger’s return to form: his wife and lyric collaborator Carin Besser using the phrase “your mind is not your friend;” and picking up a copy of Frankenstein from the bookshelf. The lonely, desolate setting of the book’s opening felt relatable at the time. It was an appropriate starting point for the characteristically melancholy band’s ninth album.
First Two Pages of Frankenstein sees The National shed their earlier angular guitar sounds and harshness in favor of more delicate tracks, perfect for their vulnerable yet wry lyrics. The album is arguably their heaviest emotionally, but to counteract this, it is also their shortest in over ten years. In the standout lead single, “Tropic Morning News,” Berninger proclaims, “There’s nothing stopping me now from saying all of the painful parts out loud.”
The album features three collabs that are any indie fan’s dream – Sufjan Stevens, Phoebe Bridgers, and Taylor Swift. The most notable, “The Alcott”with Swift, earns her a writing credit and gives fans another heart-wrenching duet following “Coney Island” from evermore.
Frankenstein is relatable yet elusive, with glimpses of joy between waves of sorrow. Perhaps the exception is closer“Send For Me,” where Berninger stops looking inward and offers sincere kindness—a hopeful close to the album and the beginning of a new chapter for our favorite sad dad band.
Anderson Hao is gearing up to release her debut EP featuring recent singles “GET a GRIP” (ft. Lance Redeker) and “SECOND RATE.” The artist’s soft vocals and poignant lyrics are similar to the style of beabadoobee, Gracie Abrams, or Olivia Rodrigo. Hao’s simplistic tone on “GET a GRIP” instantly lures listeners with, “You’ve got your guard up, I’ve got this nagging feeling, so I hide my neck for two weeks.” The track weaves in subtle elements as Lance’s voice accentuates but never overpowers Anderson’s. It culminates to a sonic height with the duality of vocals and instrumentation at the end. Anderson’s knack for candid and straightforward songwriting radiates in every song she has released. Be on the lookout for her EP, What a Hard Winter, on May 31st.
Australian band Babe Rainbow recently took the stage at Shaky Knees Fest in Atlanta with their newest single, “Super Ego.” The four-piece band is known for their signature throwback sounds, which dominate “Super Ego” as the stellar production drifts listeners into a daze. “Super Ego” brings all the psychedelic vibes similar to a 60’s chill jam. One line even brings to mind Steve Miller Band’s iconic “Fly Like An Eagle” as the vocals soar over “and we were looking back through your computer.” Stay tuned for their upcoming EP, Fresh As A Head of Lettuce, set for release on June 16th.
Raleigh artist Christian James drops a collab track with Annalee Beck and local NC producer Laith. The upbeat style and carefree production are juxtaposed with the melancholy lyrics of being “Useless.” “Useless” embodies waves of ocean tides in the introduction, seemingly washing away spring and kicking off summer. “Nothing sounds right / I was slow dancing on the white rug, spillin’ wine / I love the fact that I am useless,” Christian repeats each word perfectly on the beat.
Diving at Dawn, the solo project of Pete Hobbs from The Boy Least Likely To, goes on a sentimental flashback of experiencing music on vinyl for the first time. Hobbs paints a vivid image of exploring his father’s record collection as a kid and creating a core memory of spinning vinyl. This track is a must-hear for any record collector who loves the crackle of an old LP. “Playing Your Records” has similar vocals to Beck on “Stratosphere” and a melange of music Hobbs grew up listening to (Pink Floyd, George Harrison, Wings). Some songs were meant to be pressed on vinyl, and this one emulates that exact notion.
Breakup songs have existed for ages but always seem vindictive, overly emotional, or often cliché. Dylan Kelley’s new single “Wherever You Are” is an ode to an ex, wishing them well in whatever journey they pursue after the relationship ends. Dylan’s storytelling on this track is spot on and sends the message softly but clearly in the most endearing way. Country music fans will want to put “Wherever You Are” on repeat and, for once, look back fondly on an old flame.
The Japanese House, solo artist Amber Bain of Dirty Hit, returns with sensational singles “Sad to Breathe” and “Sunshine Baby.” The debut single, “Boyhood,” from her upcoming album, In the End It Always Does, marked her first release since 2020. “Sad to Breathe” is an acoustic, more stripped-back style single that accentuates her pure vocals. The lyrics cut deep on processing the end of a relationship, “I go to bed, and I’m cryin, ’cause it’s sad to breathe the air when you’re not there.” George Daniel, drummer of The 1975, adds his magic to the production with the signature chimes of piano similar to The Birthday Party or The Man Who Married a Robot.
“Sunshine Baby” captures the bittersweet qualities of a relationship when you don’t want a good thing to end. “Putting off the end, ’cause in the end it always does,” is contrasted by “sitting in the backseat, driving with my sunshine baby.” Amber’s voice and diction on this track embody her feelings. Matty Healy’s backing vocals and a smooth sax solo brighten up the song like a warm spring day. In the End It Always Does is set for release on June 30th.
Lost Hearts brings pop-rock back to the forefront of the country-dominated city of Nashville. “Night to Remember” is a classic, catchy, live anthem. The lyrics on this single give listeners a glimpse of the mid-2000s. The simple concept of pining for someone that you can’t have rings out in a universal and memorable chorus. Lost Hearts have what it takes to command a stage and be the next big addition to rock tours around the US.
As May nears a close, we are still playing catch-up with new music this spring. Discover everything you see here and more on our New Music Emerging Now // Spring Fever playlists.
Artist Q&A: Sterling Drake Highway 200 EP. Country crooner and Montana to Nashville artist Sterling Drake released his Highway 200 EP pressed on colored vinyl by Soul Step Records this month. Sterling, known for his deep country and western roots on his family’s ranch in Florida, connects his love of music to influences from his parents and grandparents. Drake grew up listening to Willie Nelson, Waylon Jennings, and Roger Miller, all of whom played a formative role in his music career.
If you’re new to Sterling Drake’s music, travel back to the era of outlaw country with Highway 200. Today’s mainstream country music seldom hits the wistful longing of a genuine country and western troubadour. You’ll be head over boots with one listen of “In the Pines” or “Highway 200” from this noteworthy rugged EP. Today we chat with Sterling Drake about living between Montana ranches and Nashville and the background of Highway 200.
Shop the Sterling Drake Highway 200 on vinyl by Soul Step Records HERE.
Q&A with Sterling Drake //
PDLR: How have you found being in Nashville beneficial to your career? Do you still go back and forth between Nashville and Montana?
Sterling Drake: “I think most artists that have spent time in Music City realize that it’s a love-hate relationship. If you move to a large music community, keeping your goals in mind is important. It’s easy to lose yourself in all the happenings of a big city. At times I’ve put too much stock into that town, which has ultimately led to a bit of resentment.”
“I went back to Montana during Covid, and my time away helped restore my perspective on Nashville. There is nowhere else with the amount of concentrated talent and abundance of country music lovers in a several-mile radius. The biggest benefit is mingling and playing with pickers and songwriters on any night. Currently, I spend my year split between Montana and Tennessee. When I’m in Nashville, I’m on the road, co-writing or recording. My downtime is back in Montana.”
PDLR: I’m eager to know more about country music’s influence on your childhood. Can you paint the picture of when you realized you wanted to pursue country music?
Sterling Drake: “My father and grandparents introduced me to country music as a kid. Papa was a big Willie, Waylon, and Roger Miller fan. It’s safe to say that it’s in our genetics. Admittedly, that wasn’t the music that piqued my interest in my teens. While I wrote country songs, most of my musical time involved playing drums or lead guitar in rock bands. I like to say that country is emo music for people with adult problems. It takes a little bit of living for it to grow on ya.”
“It’s a long Montana winter, and it’s likely to drive us both insane, and the livestock and the jukebox are the only thing to occupy my brain.”
PDLR: Did you have any specific influences for this EP? Whether it be another artist’s music or personal experiences.
Sterling Drake: “I wanted to incorporate several different styles of music that I enjoy. Highway 200 includes western traditional, old-time, and outlaw country. As a fan of American roots music, I aspire to fuse its different features into something new yet familiar.”
PDLR: Do you work with other songwriters, musicians, etc.? If so, who are some of your favorite collaborators?
Sterling Drake: “I’ve been fortunate enough to call a lot of great musicians and songwriters close friends of mine. I particularly enjoy discussing music and playing with Ryan Stigmon, a gentleman I’ve spent the past few years with on the road. He’s a steel guitar player out of Asheville, NC. Nashville is my musical home base. In Music City, I enjoy my time away from the road playing music and spending time with folks like Timbo, Sierra Ferrell, Hannah Juanita, Mose Wilson, Brennen Leigh, and many others.”
PDLR: What song on Highway 200 has the most meaning for you and why?
Sterling Drake: “I’d say the title track. It’s a true story about one of my experiences ranching in western Montana. Admittedly, there’s a bit of self-inflicted romanticism about western culture and ranching as a whole that I prescribe to. “Highway 200″ attempts to paint a more accurate picture of the lifestyle.”
“And I rented out a motel room off of Highway 200 just to work a riding job to earn my pay. And they never say this cowboy life was a good place to bring a wife, and I ain’t got a dollar to my name.”
PDLR: If you could collaborate or tour with any country artist, who would it be?
Sterling Drake: “I’ve spent time on the road with many of my contemporary artists and idols! In a fantasy world, I’d love to work with George Strait. One can dream.”
PDLR: What future goals do you have for your music career?
Sterling Drake: “Keep making more music and playing more shows for the good people!”
*Soul Step Records upfronts the cost of vinyl production for new artists. For more information on Soul Step Records and their mission, visit their website or follow them on Instagram below.
Things have never been hotter in the music industry, and we are here to keep you in the loop! New Music Friday is back with a collaborative fall playlist. POETRY DANS LA RUE curates Flames of Fall; highly anticipated tracks from The 1975, Noah Kahan, and Blink-182 mixed with undiscovered tracks from around the world to spice up your music taste.
*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene worldwide. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.
FABER brings the heat and the vengeance on her latest single, “Harlot.” The single is bold and full of fury, yet comes out on top with the ‘take that’ type of comeback. The London rocker spices up her game with crystal-clear lyrics detailing an awry relationship. “Harlot” showcases FABER’s ability to draw her audience in and make them genuinely feel her story.
Self-proclaimed “professional bedroom singer” Jodie Mellor gushes about love on her latest single, “Central London.” The Bristol-based singer-songwriter conveys her message of overcoming personal anxieties to show her love for her partner. Mellor sings, “I would drive through central London for you,” in a reassuring proclamation of her feelings. “Central London” may expose Mellor’s anxieties, but it also highlights her vocal and lyrical talents. The song paints the perfect picture of a selfless type of love.
New England folk singer-songwriter Noah Kahan releases his third studio album today. “All My Love” is the third track on Stick Season, following his two lyrically flawless singles. Keeping the folky, fall feeling of longing and isolation, Kahan writes better than ever: “I’m sayin’ too much, but you know how it gets out here. No winter coat could keep out all the cold of your atmosphere.” “All My Love” is a respectful, mature break-up song for the season of change.
We are very much here for Justin Kerecz’s latest chilling single, “Necromancing,” a Tom Petty-inspired track for the spooky season. Petty-esque guitars and a chorus of “oooo oooo” add just enough heartland sounds to this autumn tune. Also drawing influences from Butch Walker, Ghost, and Warren Zevon, “Necromancing” is the perfect eerie addition to your Halloween playlist.
Germany-native artist Lioba released her latest single, “At the Pool,” defining her new alternative pop sound. “At the Pool” explores a melancholic Lorde-type concept of transforming bubblegum pop into intoxicating synthy waves. Lioba demonstrates magnetic allure on this track, weaving through airy vocals to a deeper range on the outro.
Check out all of these songs and more on our New Music Friday Fall Playlists
It’s mid-September, and 2022 is quickly fading away. Within the last few weeks, artists and record labels have seemingly rained down with new music releases. This week, we focus on new tracks from some influential female artists in our New Music: Women of September playlist. New to the blog artists Wyldest, Yazmin Lacey, and merci, mercy bring a fresh sound, while fan favorites Bella Rose and Bonnie Kemplay continue to drop hit after hit.
*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene all over the world. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.
Bella Rose releases heavenly new single, “Drinks and Dreams,” her third solo track of the year. The Nashville pop artist is formerly known for the indie pop band, The Young Something. Recently, Bella Rose and former band member Alex Bonyata continued to write and produce songs together for Bella’s solo career. “Drinks and Dreams” is pure pop, with strikingly flawless vocals and fresh production. Bella’s vocal style, songwriting, and charm form the perfect combination of a rising female pop star.
// “Pieces” by Yazmin Lacey //-Contemporary R&B
Singer-songwriter Yazmin Lacey of Nottingham, UK, shares the stunning single “Pieces” this month. “Pieces” is the first single from the artist since 2020. Soft, sultry, jazzy, and vulnerable, “Pieces” showcases Yazmin’s artistry and songwriting expertise. Smooth brass instrumentals complement the simplicity of the concentrated vocals, leaving an ominous outro. We can picture this track spinning sweetly on a 7″ vinyl, soundtracking colder evenings to come.
// “Inky Road” by Wyldest //-Indie rock
“Inky Road” is the final track from Feed the Flowers Nightmares, the latest album from British indie artist Wyldest. The closing song reflects on twists and turns like a winding road leading to the relief of being home. “Rolling, I can’t believe, we’re free, I’m home,” Wyldest muses on “Inky Road” as the song seems weightless and optimistic. Check out Feed the Flowers Nightmares in full for the complete journey of her latest project.
// “Into You” by merci, mercy //-Alternative
Australian alternative artist merci, mercy amps up our Women of September playlist with her latest single, “Into You.” Surrounded in bright colored florals on the cover art, “Into You” is a poppy, break-up track with a catchy yet bitter chorus. “Into You” is the opening track of merci, mercy’s new EP is it me, or is it you? which debuts September 30th. Upbeat pop synths play in contrast to heartbreak and self-reflective lyrics on this colorful track.
// “Static” by Bonnie Kemplay //-Singer-songwriter
Dirty Hit artist of Edinburgh, UK, is building her debut EP with a chain of recent singles, the latest “Static,” out this week. On Kemplay’s third single, the alternative singer coins her songwriting style with soft tones and heavier guitars. It is impossible not to draw a comparison between her label mate, beabadoobee, on “Static.” Although similar, major credit goes to Kemplay for her guitar skills and songwriting. “Static” reflects a feeling of hopelessness and uncertainty at a difficult moment during her career. Running out of things to say, running out of things to do, the 6-song EP will debut November 14th.
Check out all of these songs and more on our New Music: Women of September Playlists
As Raleigh, NC steadily grows, so does the Raleigh music scene. We’ve zoomed in on local upcoming music artists to create an Emerging Now: Best of RaleighMusic guide and playlist. Local residents of Raleigh can easily catch these artists playing events while exploring the Triangle. Check out our song picks and playlists below featuring Christian James, Paige King Johnson, Heather Sarona, Stray Local, and more!
*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene all over the world. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.
Christian James, a local Hip-hop/Rap artist, released a more Alternative style single, “Lately,” this May. “Lately” is an infectious earworm that takes us back to the days of streaming “Waves” by Mr. Probz while enjoying a summer cocktail. The single incorporates clever lyrics, “Baby, baby grab the phone seven digits, seven minutes till I land, Amy Winehouse records spinning like a ceiling fan.” The verses hit with just the right amount of diction and flow, leading to an undeniably catchy pre-hook and chorus. “Lately” is one of those songs you listen to once and can easily sing along by the last chorus. Follow Christian James for more new music coming next week!
Holly Springs native singer-songwriter, Heather Sarona, debuted her first album, Head Above Water, this past January. “Window to Break” is a standout coda to the Alternative-folk style LP. Haunting lyrics like “My treasure and my pride, there for you to take, my window’s yours to break” showcase the vulnerability of being unguarded in a relationship. Her folky vocals and southern charm will win you over in this soothing single. You can catch Heather in the Triangle over the next few months with her next appearance on September 17th at Mason Jar in Fuquay.
“Maybe We’re All” is a pensive, thought-provoking track by Raleigh Singer-songwriter John Sierra. The beautifully written, coffeehouse playlist-type song embodies longing and commonality. Sierra recounts several stories of lonely passersby and links a common ground by singing, “Maybe we’re all looking for love, maybe we’re all looking for home.” Check out John Sierra live around Durham and Raleigh from now until December!
Jon Ward Beyle has an Avett Brothers-esque style of vocals and storytelling on the single “Holding Hope” from his debut album Worth Stopping For (2021). “Holding Hope” is reflective and wistful, a perfect folk-rock ballad that starts soft and amps to close. The track is a true homage to songwriting in the sense of being able to connect with listeners and send a powerful message through music. Jon Ward Beyle frequents one of our favorite venues in Carrboro, Cat’s Cradle, and is set to play at The Evening Muse in Charlotte this Friday with Courtney Lynn & Quinn.
If you’re looking for an America’s sweetheart country singer in the Triangle, Paige King Johnson is your girl. Her single “American Beauty,” off of her debut album Honky Tonk Heart (released June 2022), could easily land her a few gigs opening for some of your favorite country artists. In fact, Paige has already been an opening act for the likes of Kane Brown, Scotty McCreery, Joe Nichols, and Gabby Barrett! “American Beauty” is a ‘tale as old as time’ classic country song with mature flawless vocals. The story of “American Beauty” is a reminder to young women, as well as a personal anthem to the artist, that you can chase your dreams, and everything will work out.
Paige has several upcoming tour dates in the area. She’ll be playing with local The Voice star Britton Buchanan in Sanford this Thursday!
Stray Local is an upbeat Indie-pop band that you may stumble upon while out in the Raleigh area. The husband-and-wife duo, Hannah and Jamie Rowen, have several catchy singles, including “Shiver,” an easy-listening pop track. Stray Local are also avid runners, and “Shiver” is a great soundtrack for a scenic jog in the triangle. Catch them live as they hop from breweries to coffee shops in the area.
Raleigh’s own Tiger Beach is on a roll of releasing new music. “Worthless” is our favorite track of their recent releases over the past year. Reminiscent of Wallows Tell Me That It’s Over vocally and The Cure’s Disintegration sonically, “Worthless” defines Tiger Beach’s Indie-rock sound. The key change on the bridge draws you in closer to the melancholic chorus, “Tell me that it’s always just so worthless, tell that I’m wasting all of my time, tell me that I’m never gonna make it.” The defining repetitive bassline continues through the end in a culmination of power-surging sounds. Follow Tiger Beach for updates on upcoming shows!
Check out all of these songs and more on our Emerging Now playlists below
New Music Friday is jam-packed with album drops, new singles, and endless playlists. Finding it difficult to keep up with your favorite artists? This week, we play catch-up for you, sifting through noteworthy LPs and emerging tracks over the past few months. Scroll through to discover new artists and check out our weekly New Music Emerging Now July 2022 playlists for more curated content!
*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene all over the world. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.
British singer-songwriter James Bay dropped his third album, Leap, and is soaring to the top of the UK charts (competing for #1 with Monsieur Styles). For those unfamiliar with Bay, he brings intricate and poetic lyrics together with big guitar sounds and powerful raspy vocals. An artist who simply lights the place on fire when performing live, Bay’s third album is flawlessly laced with all of his signature songwriting melodies and lyrics. Leap brings massive tunes such as “Brilliant Still,” “Silent Love,” “One Life,” “Right Now,” and “Give Me the Reason.”
Fans of Springsteen, Petty, Dylan, Clapton, and Marvin Gaye keep your ears peeled for hints of the most influential songs of their time. “Give Me the Reason” focuses on Bay’s dramatic vocal range, drawing you in from the first track of the album. “One Life” is a tear-inducing ‘pour your heart out’ wedding song, while “Silent Love” embraces vulnerability in moments of uncertainty in a new relationship. Bay uses a lustrous falsetto in “Right Now” to induce longing romantic glances, and “Brilliant Still” is a charming reminder of everlasting admiration.
Alternative indie artist beabadoobee drops her dreamlike sophomore album Beatopia today. Standout contrasting singles “Talk” and “See You Soon” eerily creep into your mind and leave lasting earworms. “Talk” sings sweet guitars alongside 90’s-esque pop punk lyrics, while “See You Soon” echos cosmic sounds and purified vocal wonders.
Deeper cuts include “Perfect Pair” and “You’re Here That’s the Thing,” both tunes evoking sounds of a Parisian-style jazz café. “Ripples” is more downtempo, accompanied by peaceful strings, paired with sincere lyrics and pure vocals.
Aussie natives The Faim dropped their sophomore album TALK TALK last Friday, and we are head over heels! While the entirety of the album is meshed with soaring rhythms and vocals, standout tracks include “Life in a Cinema,” “Flowers,” “Me Because of You,” and “Jealous Love.”
“Flowers” whispers of ‘listen to me’ vocals in the intro, leading to a massive build-up bridge and jump-inducing anthemic chorus. “Me Because of You” merges retro pop with funky guitars and a soaring chorus with a full vocal range on display. “Jealous Love” builds quintessential Young the Giant-type drums in an outpour of heartfelt lyrics. To round off the album, “ERA” feels like a wistful yet hopeful coda to a cohesive soundtrack for The Faim.
Indie rock band Out of Service of Philly put out emo blended, guitar-heavy, The Ground Beneath Me this June. Out of Service combines the qualities of emo, rock, indie, and grudge, developing a sound that music fans have searched for over recent years. The Ground Beneath Me includes guest vocals from Taking Back Sunday (John Nolan), All Get Out (Nathan Hussey), and Emery.
From start to finish, the album includes nods to all your favorite emo bands of the early 2000s. Hawthorne Heights-style guitar tones resound in “A Moment Trapped in Time” ft. Emery, followed by a Brand New reminiscent “Offshore” vocal. “Offshore” starts off with hushed vocals, a slow build to the bridge, and a full-on rock-out chorus. “What You See” ft. John Nolan gives the album depth, culminating in a thundering outro of classic TBS vocals.
Out of Service generates emo music in a realm where *new* bands of this caliber are few and far between.
Philly area singer-songwriter Justin Kerecz launched an ‘easy feelin’ track entitled “California” this past week. “California” paints a perfect Western escape with a blend of folky vocals, bluesy guitars, and nods to timeless Gram Parsons tunes. Kerecz creates the right amount of twang, nostalgia, and endearment to wind you down a back road on summer nights.
After nearly a decade hiatus, Georgia pop-punk band Cartel is back with a new nostalgic single, “17.” “17” possesses distinctive elements of fan-favorite tracks “Honestly” and “Say Anything (Else),” staying true to the early 2000’s draw of the band. Moreover, the single is polished and reflective, with mature vocals, signature guitars, and pensive lyrics. Will Pugh’s voice echoes the likes of Jimmy Eat World in soft songs like “555.” Cartel joins Dashboard Confessional and Andrew McMahon on their ‘Hello Gone Days‘ tour August 16-27.
Poetic Philadelphia-based singer-songwriter Fiona McHugh debuted Just Passing Through (EP) this past May. “Dolly” showcases elegant lyricism sprinkled with the vocal angst and conviction of an Alanis Morissette or Fiona Apple song. McHugh’s voice is undeniably unique. We will keep an eye on her upcoming endeavors.
New York’s duo of Matt Conolly and William O’Connor, Wilmah, released the hopeful pop track “Saturday Morning Cartoons” this week. “Saturday Morning” combines dance-inducing instrumentation and production with eager lyrics and a captivatingly catchy chorus. Wilmah continues to have an effortless ability to produce and generate invigorating pop songs for the times.
Check out all of these songs and more on our New Music Emerging Now playlists below
The boys are back! The 1975 FINALLY released a new single, “Part Of The Band,” as the hottest record on BBCR1. Matty Healy had been teasing hints about some of the lyrics of the single on his Instagram stories over the past month. The Easter eggs ultimately led to the title of their fifth studio album ‘Being Funny in a Foreign Language’, out October 14th! We are 1000% HERE for this concept of embracing language, art, poetry, culture, and music into a full-length album. While the single is only the tip of the iceberg, we are here to answer the common question, “What in the world is Matty on about?”
“Part Of The Band” Easter Egg #1: Rimbaud & Verlaine
“And I fell in love with a boy, it was kinda lame. I was Rimbaud and he was Paul Verlaine.”
Arthur Rimbaud and Paul Verlaine were 19th-century French poets. Matty first posted an image of the two on his Instagram story a few weeks before the announcement of the single. Many fans easily googled the image to discover the names of the poets, as well as articles of their secret love affair ending in turmoil. We will provide the TLDR version of their relationship.
A significantly older Verlaine left his wife for Arthur Rimbaud. It appears their two-year relationship was passionate yet messy and often included alcohol and drug use. After a heated quarrel, Verlaine drunkenly fired two shots at Rimbaud, injuring him in the wrist, and was sentenced to two years in prison. Read more about Rimbaud & Verlaine here and here.
We want more details, Matthew.
Easter Egg #2: “She said”
“A Xanax and a Newport, ‘I take care of my kids,’ she said.”
Ah, the stereotypical “she said” line in a The 1975 song. There’s not much to add here other than a list of some of the best “she said” lines throughout their discography. She said…
“Use your hands and my spare time, we’ve got one thing in common it’s this tongue of mine.”-Sex
“Babe, you look sooo cool.”-Robbers
“I gave you four years of my life.”-I Couldn’t Be More in Love
“Maybe I would like you better if you took off your clothes.”-If You’re Too Shy (Let Me Know)
“They should take this pain and give it a name.”-Tonight I Wish I Was Your Boy
Alright, so this one is purely speculation from fans and long-time followers of the boys. We *think* the car in the promo for “Part of the Band” *could* be the car from the “Chocolate” music video/self-titled era. The promo for “Part of the Band” is back to their signature black-and-white aesthetic. Further speculation from fans leads to the symbol of the end of the Music for Cars era; hence the car being vandalized and in destruction. Lastly, the car is covered in graffiti-style chalk art, including “La poésie est dans la rue,” “Dirty Hit,” and “Is it my car?” It’s a word search on here…good luck.
Music for Cars was *supposed* to include the two-album combo of ‘A Brief InquiryInto Online Relationships’ and ‘NotesOn A Conditional Form‘. Does Music for Cars continue for ‘Being Funny in a Foreign Language’ (see symbol below)? Or does the car symbolize the end of one era and the beginning of the next? We shall see.
We’ve made a short-list of some potential references in the new The 1975 video for “Part of the Band”
*The kid with the paint on his face reminds us of the kid from the “Settle Down” music video. In fact, the whole video gives off major “Settle Down” vibes.
*The whole video seems to recreate scenes from the 1957 (flip of numbers there) Swedish fantasy film, TheSeventhSeal.
*The priests and Matty carrying the giant balloon are reminiscent of the short French film Le Ballon Rouge.
*“FUN” written with chalk on the top of Matty’s collar while the kids are drawing on his coat.
*The baggage Matty is carrying could be his signature quote, “emotional baggage” he receives from fans and feedback on social media. The baggage topples him over in the video.
*All signs point to Mayhem being the dog at the end of the video.
Feel free to let us know what else you find! Check out “Part Of The Band” and keep your eyes peeled for what’s up next for The 1975 and ‘Being Funny In A Foreign Language’.
