Songs

Cold Weather Company

Cold Weather Company: Heartwarming Winter Music You’ll Love

Categories Albums, Interviews, Playlists, Songs, , , , , , , , , , , , , , , , , , , , , , Leave a Comment on Cold Weather Company: Heartwarming Winter Music You’ll Love

Naomi Iovescu

Cold Weather Company "Warmth in Winter"

Exploring Warmth in Winter by Cold Weather Company

POETRY DANS LA RUE: “Warmth in Winter” has become such a beloved track for Cold Weather Company. What inspired it, and what does it represent within your overall sound as a band?

Steve of Cold Weather Company: Great question! “Warmth in Winter” is one of the songs we’re most proud of. It really came together organically. Jeff had an initial riff that he felt had a holiday feel to it, and the three of us spent some time in a room jamming together like the old days. It was October at the time, and that helped the idea that we could actually release a holiday song ‘click.’ From there, everything fell into place, and we were able to weave all of our lead vocals into the final version.

We each wanted to share our own reflections on what the holidays mean to us: nostalgia, the sounds of home, and the memories that come flooding back while still putting our own unique spin on it. Revisiting those feelings is something we’ve always loved.

One of the most special parts of this song was bringing in our community to help create it. The first voices you hear belong to our friends, families, and listeners who supported the song from the start. Then, we reached out to a friend who was teaching choir at my old high school and asked if their students would join in. That sense of everyone coming together is exactly the feeling we wanted the song to capture.

PDLR: It has such a comforting and reflective tone. Was there a particular moment, memory, or feeling that sparked the idea for the song?

Cold Weather Company: Yes, at its core, the song is all about nostalgia and the people we love. With a title like Warmth in Winter, we wanted to capture that feeling you get no matter where you are or what kind of year you’ve had. The comfort that comes from memories, traditions, and the people who surround you. For us, it’s about community, togetherness, and opening your doors to others, especially during this season.

PDLR: The song contrasts cold and warmth beautifully. How do you translate those seasonal metaphors into musical decisions like instrumentation, harmonies, or production?

Cold Weather Company: There were two elements we immediately knew we wanted to include: sleigh bells and strings, along with a choir. Our friends Christine Shieh on violin and Kevin Lucero on cello naturally brought such warm, rich tones. We felt it was essential to have that warmth woven through the track. The main choir line repeats and gradually builds, and as the song progresses, we keep layering elements, strings, piano, and guitar, so the sound grows fuller and fuller. That contrast and buildup is really what shapes the song.

PDLR: A lot of people say this track really sticks with them. Why do you think “Warmth in Winter” resonates so deeply with listeners?

Cold Weather Company: We think it connects with people because it reminds them of why they fell in love with the holiday season to begin with. It touches on those sentimental moments, the people and places they miss and that sense of longing. It carries the spirit of those classic holiday moments you picture around a piano, where everyone is together, singing, laughing, and feeling that special kind of warmth you only get this time of year. Creating something that feels like that, something everyone can be part of, means a lot to us. We think people connect with this song so deeply because it feels inviting, comforting, and truly meant for everyone.

The Making of Cold Weather Company Music

PDLR: How do you approach creating that emotional depth in songs like ” Warmth in Winter” and across your other work?

Cold Weather Company: We’ve always taken pride in staying genuine from the very beginning. Every song we write has to come from a real, honest place, and that’s always been important to us. Our very first release was a seven-minute song, which isn’t exactly the typical way to introduce yourself in a world built around radio singles, but it felt true to who we were. We believe people connect with our music because they can sense that authenticity. We always want listeners to feel that what they’re hearing is real, heartfelt, and honest.

PDLR: You’ve been creating music together for over a decade. How has your creative process evolved from your early albums to now?

Cold Weather Company: All of our songs still start from the same core foundation: piano, two acoustic guitars, and the shared vocals that have always defined us. Our first album was almost entirely acoustic, then on the second we quietly introduced drums. By the third record, we were exploring even more with drums, strings, and horns. The fourth album leaned further into atmospheric elements, and with this fifth one, we’ve really blended everything we’ve learned along the way.

We’ve never wanted to limit ourselves creatively. Our sound has naturally grown more cinematic, while still making room for those stripped down moments that feel intimate and personal. It’s constantly evolving. Writing this new album together in the same room again was especially meaningful after creating so much of the last record remotely during COVID, it brought back a special connection and creative energy we really missed.

PDLR: Your band began from a chance meeting at Rutgers University. How does that origin story continue to influence your collaboration today?

Cold Weather Company: New Jersey and the Rutgers community have been incredibly important to us. The support we received at Rutgers really helped shape who we are, and that’s a big reason why the community around our music exists today. It taught us so much about the value of connection and showing up for one another.

Our first show album release actually happened at a coffee shop in New Brunswick called Hidden Grounds, and our second album release was at their second location. We both started around the same time, so watching that growth side by side has been really special. They’ve continued to open new stores across New Jersey and New York while we’ve continued to release new albums. That’s, of course, just one example, but it’s been so important to us to stay connected to our New Jersey roots and continue being part of the communities here.

Cold Weather Company "Warmth in Winter"

Creating Music That Feels Like Company and a Journey

PDLR: What role do winter themes, imagery, and symbolism play in your songwriting?

Cold Weather Company: Our music and the way we write together started in the winter, which is where our name comes from. During that time, we were really company for each other. The cold can bring people together in search of warmth, like Warmth in Winter, but it can also create distance and isolation. We’ve always found that writing together in the winter leads to something really fruitful, and there’s this natural pull to create during that season.

Nature is constantly changing, and each season gives us something different to draw from. Whether it’s mountains, forests, beaches, the sea, or even our proximity to New York City and other big cities, our music reflects that mix. It’s always been a source of inspiration. Each song ends up pulling from a different ecosystem as a way for us to express ourselves.

PDLR: You created the Cold Weather Collective as a way to bring artists and fans together. How has that community influenced the band’s direction?

Cold Weather Company:  It’s one of the things I’m most proud of. It gave us a real way to connect with our listeners. While it officially started in 2019, it grew during COVID, when we hosted these open mics on Zoom. They became a meaningful way to stay connected with people and offer a platform for them to share their own artistic pursuits. I also hosted livestreamed Cold Weather Conversations on Instagram, where I interviewed other artists and creatives, similar to what you’re doing now. Getting to see and showcase just how much beautiful art is out there is what makes the whole experience even more exciting.

PDLR: Listeners often say your music feels grounding or comforting. What experiences or emotions do you hope people take away from your songs?

Cold Weather Company: We hope people walk away feeling like the music is both layered and comforting. One of the best compliments we ever get is hearing that our songs have kept someone company. It’s that balance knowing we were there for someone in whatever moment they needed us. A lot of listeners tell us our music feels like an adventure. Going back to the more cinematic side we talked about earlier, that’s exactly what we’re aiming for. We want to take people on a journey to help them imagine themselves somewhere new, or somewhere familiar they miss. It’s about being there when you need comfort, while also giving you something that can carry you somewhere else.

Live Performance & Future Plans

PDLR: When performing live, how do you adopt atmospheric songs like “Warmth in Winter” to the stage?

Cold Weather Company: Unfortunately, we don’t have the full choir with us when we perform “Warmth in Winter.” Performing live (usually as a trio) gives us room to challenge ourselves and rethink how we express the feeling we’re going for in recordings featuring bass, strings, and other textures to fill that space. A lot of those moments end up interweaving and creating something new each time. Ultimately, we want our music to do more than just be played on a stage. We want it to feel immersive and meaningful.

PDLR: Looking ahead, what new projects, collaborations, or musical directions are you most excited about in the coming year?

Cold Weather Company: We’ve got a few live projects coming out next year, featuring songs old and new. We’re also planning to travel a lot and continue to push our latest album, “In Time,” as well as the rest of our catalogue, while writing and sharing new material. The gears are always turning as we explore new ways to keep things growing.

FOLLOW COLD WEATHER COMPANY

// INSTAGRAM // SPOTIFY // YOUTUBE // TIKTOK// WEBSITE //

// PREVIOUS INTERVIEW POST //

Natalie Livingston All The Best

Natalie Livingston Ignites Summer 2025 with “All The Best” & New Singles

Categories Interviews, Songs, , , , , , , , Leave a Comment on Natalie Livingston Ignites Summer 2025 with “All The Best” & New Singles

Written by

Alyse Bartol

I sat down via Zoom with up-and-coming indie-pop artist Natalie Livingston live from her NYC apartment. Her record collection, filling part of the wall behind her, we discussed her newest release, “All The Best,” a dreamy pop ballad about knowing you did the right thing by ending a relationship but still struggling with the heartbreak, as well as her upcoming singles set to drop this summer. Dive in for her thoughts on the ’80s culture that inspires her music, astrological influences, her thoughts on Team Conrad vs. Team Jeremiah, and being authentic to yourself and your vision.

Natalie Livingston All The Best
Photographer credit: Camille Duvall

Natalie Livingston on Blending the Old with the New in “All The Best”

POETRY DANS LA RUE: Hi Natalie, first of all, congratulations on the release of your latest single “All The Best” just one week ago! This new era’s looks, sounds – even your hair! – It’s all very ’80s. I love it! Did you gain inspiration from listening to and watching ’80s music and movies first, or were you making music and realizing it already sounded like that, and you were like, “Wait, let me play into this more?”

Natalie Livingston: Hmm. That’s such a great question. I think it’s a good mixture of both things. When I was born, my mom was just starting her career; she works in tech, a woman in STEM, such a baddie! I would watch her get ready every single day, and I became obsessed with hair and makeup. At that point in time, you know, it was the big hair, dark lipstick. Everything was slightly over the top and theatrical, and I was very drawn to that from a young age.

PDLR: Yes! I watched the music video for “All The Best” – I loved the Dirty Dancing reference.

Natalie Livingston: Ahh, thank you! We got to the studio and we were like, “Wait, this is exactly like it is in the movie!” We were looking for studios with similar windows… it was cloudy all day, and then we got there, and the sun came out, and we were like, “This could not be more perfect”. That movie holds a special place in my heart. Growing up, both of my parents were obsessed with the ’80s… that was a golden period, their teenage years. The vibe was so free and fun. Music and art were kind of the way they escaped.

I grew up on a lot of hair bands, classic rock, and ’80s pop. My mom absolutely loved Madonna. I remember the summer before I left for college, one day my mom was talking about Dirty Dancing, and I realized I’d never seen it. That summer, close to every single night, we watched a new ’80s movie. And I became obsessed with the fashion, just the joy that is in those movies. There are, of course, the over-the-top ones, but also very authentic ones like St Elmo’s Fire. I always felt very drawn to that authenticity.

PDLR: That’s awesome. I grew up with Styx and REO Speedwagon with my dad. All the bands. What sparked this ’80s influence at this exact point in time with your music?

Natalie Livingston: I’m trying to think of where the ’80s came about. I think it was probably about three years ago. I had gone thrifting, and I found a bright sea foam green button down and was like, “I love this so much, but I don’t know how to wear this”. And then I realized I had so many of these clothes already. I also grew up dancing and performing. Growing up writing, I would think to myself, “Wow, this reminds me of a kind of stadium rock song,” and I would go back and listen to songs. And just be like, there’s no other way to make this.

PDLR: I think your press release said you’re a big Chappell Roan fan, right? I am, too.

Natalie Livingston: Oh, absolutely. Is there any other way to be?

PDLR: She’s got that very ’80s sound and look to her.

Natalie Livingston: Absolutely. Seeing other artists do it, I’m like, I love this. I think especially in the political climate we are at, the economic climate we’re at… people escape to those fun, celebratory types of eras.

PDLR: Yeah, recession pop.

Natalie Livingston: Recession pop, Y2K. That’s when Pluto was in Sagittarius – it was a very different time.

Natalie Livingston All The Best
Photographer credit: Camille Duvall

New Era: The Rise and Fall of A Love Story

PDLR: So that was the first single of others you’re doing in succession over the summer, correct?

Natalie Livingston: Correct. I have two more that are coming out this summer!

PDLR: Let’s talk about this new era you’re entering with the first single release and the rest to follow. What are you hoping people feel from this era?

Natalie Livingston: Authenticity and the connection that the ’80s embraces. Longing. That mix of ’70s great storytelling with synth, electronic, and glam elements transitioning into the ’80s. I always want to be viewed as a friend. I just want to speak to the human experience in general. Even if we haven’t experienced the same exact thing or situation, everyone has experienced heartbreak and joy. Just the ways that we find it are different.

PDLR: You said these upcoming singles are going to describe “the rise and fall of a love story.” In today’s world, where many songs are designed to “go viral” on TikTok, do you want people to come back to listening to a full project start to finish, as telling one story? It’s interesting, too, because the experience of listening to an album start to finish is very ’80s – think Kate Bush’s Hounds of Love, Prince’s Purple Rain, etc.

Natalie Livingston: Exactly. I am a sucker for a start-to-finish story [as proof, she points to her vinyl collection behind her in the living room]. While I was writing, I was listening to folklore by Taylor Swift, and thinking about that love triangle between Betty, James, and August, right? Every song on the album is told by a different character. And that made something click for me. Like in How to Lose a Guy in 10 Days and Ross and Rachel in Friends, those montage scenes. I hope these songs allude to that, something that plays in your mind like a reel.

PDLR: I love how you mention that the breakup in “All The Best” is a mutual decision – even if you’re doing the thing that you know is good for you, it doesn’t make it any easier.

Natalie Livingston: Any time you lose someone important to you… even if it was for the best, it doesn’t necessarily mean you are ready to move on. You can have moments of reflection where you think about where things got ugly, but you still wish them all the best.

Natalie Livingston All The Best
Photographer Credit: Camille Duvall

Natalie Livingston Influences and Influencing The World

PDLR: What do you find most effective in advertising and pushing out your music? Do you find it’s more social media stuff, or more live shows, word of mouth, anything else outside of the box like that?

Natalie Livingston: Yeah, I feel like I have a pretty short answer, which is that I’m still figuring it out. I started writing music in the first place… it came out of a point of being like, I’m so tired of sitting around, waiting for an opportunity to come to me… I’m just going to do it myself. I grew up loving concerts – everything I’m doing is so that I can perform live. We do have social media as a great way to reach people…. I feel like authenticity goes way further than you think. But I love live music. That’s it. My absolute dream is to open for somebody on tour.

PDLR: Who are those people, like right now?

Natalie Livingston: Oh gosh. I feel like my ultimate dream, “if I ever got to open for this woman, my life would be made…” And that is Maisie Peters. She is another one who has inspired me from the beginning, with her raw and authentic nature. I’d love to open for Strawberry Launch, Rachel Bauchner, Suki Waterhouse…

PDLR: A lot of TV shows will put indie artists in their soundtracks.

Natalie Livingston: Yes, I was just thinking – “All The Best”… I want it to be on an episode of like Love Island! I was thinking about The Summer I Turned Pretty series… it would be perfect. Just all that coming-of-age stuff; it would be perfect.

PDLR: Wait… are you team Conrad or Jeremiah?

Natalie Livingston: [laughing] I’m team neither! I don’t like either of them. I feel like I’m team Belly be single… but if I had to choose, I would definitely be team Jeremiah, because dare I say, it’s a little controversial. However, Connie had all this time to do something. He’s too wishy washy.

PDLR: Well, the main problem is Belly, right?

Natalie Livingston: The main problem is her, I think. But that’s why I watch the show… because we’ve all been the problem.

PDLR: A lot of artists nowadays have to “do it all” – be their own songwriter, mixer, producer, film director, and social media manager. Have you experienced this? At what point do you reach out for other people to help, and how much are you doing on your own?

Natalie Livingston: Well, I see a lot of my songs as colors. As I was writing “All The Best”, I saw pink—the color of memories and nostalgia. My friend Shelby directed the music video after I’d thought of the initial ideas and concepts, and we chatted about them over coffee. I’m someone who sees the big picture, and then I sometimes collab with other people to get down into the nitty gritty of stuff. I do still do most things on my own – I have yet to collab with someone writing a song. All my friends are in the creative world, and we just all talk about it and support each other unconditionally.

It’s like, you never know who’s looking out for you. Some people say keep your dreams close… but I’m like, no, share them with the world because it expedites the process. You never know who’s looking out for you and who is thinking of you. So, keep being yourself and put yourself out there. It will always find the right people.

PDLR: Yes, what’s meant for you will not pass you by, right?

Natalie: And I say, if it does pass you by, it wasn’t meant for you. Yeah, exactly. I mean, again, like you said, authenticity is the way to do that, because it’s also the way I think that is the most sustainable. Because it is exhausting. And I think many people are aware of this. I think especially women, but to wake up everyday and try to be something you’re not… it sucks the life out of you.

I think as people in their mid-20s, you’re like, “What am I doing?” But when it’s time for you to play your part, the opportunity will always present itself, I think. And if you have the bravery to show up as yourself every day, it’s hard, it’s not always easy, but you never know who you’re inspiring to do the same. So, that’s why I love playing shows so much, too. I have people who are friends because they’ve met at one of my shows!

PDLR: Okay, that is so cool.

Natalie Livingston: I recognize my role in the world as someone who is like a facilitator of connection. One of my friends and I are just constantly introducing people!

PDLR: I feel like this has been a little pep talk.

Natalie Livingston: Ha! I feel like people say that to me so often. I have a lot of Leo placement, so I am a hype girl. In another life, I am an astrologist, for sure. I have to know the why, the where, the when, and how, always. That’s me.

FOLLOW NATALIE

// SPOTIFY // INSTAGRAM // TIKTOK //

// PREVIOUS INTERVIEW POST //

    Sophie Breton: The Heart of “Love Club”

    Categories Interviews, Songs, , , , , , , , , Leave a Comment on Sophie Breton: The Heart of “Love Club”
    Naomi Iovescu

    Naomi Iovescu

    Sophie Breton is carving out her own lane as a rising artist, defined by authenticity, emotional depth, and bold storytelling. Raised in Québec City, Sophie’s latest release,” Love Club“, invites listeners into a space of connection and comfort where no one has to feel alone, even amid life’s constant changes. Rooted in self-awareness and vulnerability, her music blends pop, folk, and modern textures into a sound that’s unmistakably her own. We get a glimpse into Sophie Breton’s creative world as she opens up about the feelings behind her latest songs. Through it all, she transforms life’s highs and lows into songs that connect with listeners old and new.

    Sophie Breton "Love Club"

    Sophie Breton opens up about ” Love Club”

    POETRY DANS LA RUE: Sophie, welcome! First, congratulations on the release of “Love Club.” It’s such a vibe! Let’s start there, what inspired this song and what do you hope people take away from it?

    Sophie Breton: Thank you so much! Writing “Love Club” was like a fever dream because I was thinking and reading, and overthinking about modern love and dating. As a hopeless romantic, it truly feels like a game nowadays, and a game my heart can’t play. From there, I just hope people can take this song as a fun and sassy anthem of modern love.

    PDLR: You describe your songs as blending pop with alternative and folk textures, often centered around that emotional “twilight zone” of your twenties. Was there a particular moment in your life that made you realize music would be your way to process all of that?

    Sophie Breton: I would say that writing my last album Blues Room really felt like a sanctuary where I could unload emotions and take the time to process themes through music. This album was so great to make, I felt aligned with my songwriting and my creativity, like I could have written songs for months and years for this project. Also, it was an important turn in my music career because it connected with a lot of people online, reaching out to me to tell how the songs were making them feel. I always said I was making music not only for me, but for people to never feel lonely. Full circle moment.

    PDLR: In “Love Is Enough,” you channel heartbreak into something that feels triumphant. Do you ever write a song that surprises you emotionally?

    Sophie Breton: Yes sure, a lot. It is always when I get back to the songs a few months later, it is hitting me like a wall of brick falling off my shoulders because often I don’t necessarily relate to the emotions anymore, but I can feel it back through the songs. More recently it was No Heart No Cry from my album Blues Room, I was like oh god my poor heart was broken back then. It is so vulnerable and to the core of what I was feeling from the words to the interpretation.

    Sophie Breton "Love Club"

    “Trust yourself, trust your intuition…”

    PDLR: A lot of your lyrics seem like they were born from long conversations with friends. What’s the best piece of advice someone ever gave you that wound up in a lyric intentionally or not?

    Sophie Breton: Storytime, I can vividly remember I was watching television and someone said in French “The windshield is bigger than the rearview mirror” and I had to go to my home studio and write a song about it which is Nota Bene. I was going through a phase of questioning every step I was making and that felt like the right moment to write a song about that. It was like I needed to hear this at this moment that just unlocked something in my songwriting.

    PDLR: Québec City clearly shaped your creative roots. That said, do you feel like that sense of “home” remains in your music even as you evolve?

    Sophie Breton: Oh oui! The French Canadian growing up with the beautiful scenery of Québec City will always be a part of romanticizing my craft. It definitely remains in my music as I evolve, home will always be home.

    PDLR: You mentioned your next project will reflect your twenties, beautiful, chaotic, and introspective. If your next album had a scent, what would it smell like?

    Sophie Breton: This is such a great question, give a second haha! Maybe it’ll change but I think my next album scent would be like Lost Cherry fragrance by Tom Ford.

    PDLR: Visually, and just like your songwriting, your work feels deeply intentional. Everything from cover art to the vibe of your Instagram. How involved are you in the visual direction of your music, and do you see the visuals as an extension of your songwriting?

    Sophie Breton: Oh thank you so much for noticing that! Visuals are as important to the music to me. I’ve always been like that, my friends and family could tell you how annoying and perfectionist I am about the visual direction, it literally keeps me up at night. 

    From a young age my father shared with me his passion for photography, so I started to be obsessed with capturing sunsets or beautiful sceneries. In college, I studied cinema and it became a much more important love story in my life. So when I started my music project, It was important to me to work visuals and music with a lot of details, attention and love. Sometimes I feel like the music is an extension of visuals and other times it is like visuals are the extension of music.

    PDLR: There’s a softness and strength in your voice that feels very lived in. Have you ever had a moment on stage or in the studio where you felt completely seen through your own music?

    Sophie Breton: Many moments in the studio where I didn’t think I would create a specific song but then ended up creating very important songs. But it is always a few months later when I come back to those songs that I realize how powerful and vulnerable songwriting is. 

    PDLR: Now, reflecting on how far you’ve come. If you could talk to your younger self just before your first music release. What would you want to hear?

    Sophie Breton: Trust yourself, trust your intuition. Oh but don’t be too harsh on yourself. You will always be learning. Don’t rush yourself, give yourself a few years. You’ll open doors you never thought it was possible to walk through.

    In a Heartbeat: Fast Track Q&A

    1. The song you wish you wrote?

    Very hard to select one, but today I would say Wildflower by Billie Eilish.

    2. If your music were a color today, what color would it be?

    Red

    3. You walk into a coffee shop, what’s your go to order?

    Latte please!

    4. Which lyric of yours do you think your future self will still relate to at 50?

    Old Feelings

    5. If you had to trade lives with a fictional character for one day, who would it be and why?

    That’s a very good question. I honestly don’t know, I don’t listen to a lot of movies or series, and I know I said earlier that I studied cinema in college which is weird to answer that. I definitely need to listen to more movies and series.

    6. Most unexpected artist you secretly listen to when no one’s around?

    Anything jazz, I love jazz, Ella Fitzgerald, Nina Simone, all women in jazz.

    7. If your music had a side hustle, what would it be? (barista, therapist, etc.)

    Definitely a therapist.

    FOLLOW SOPHIE BRETON

    // INSTAGRAM // SPOTIFY // YOUTUBE // TIKTOK//

    // PREVIOUS INTERVIEW POST //

    N3WYRKLA Add It Up

    N3WYRKLA Climbs Charts with Latest Hit “Add It Up”

    Categories Songs, , , , , , , Leave a Comment on N3WYRKLA Climbs Charts with Latest Hit “Add It Up”

    POETRY DANS LA RUE

    Philadelphia-born artist N3WYRKLA (New York L.A.) continues to release fire hits as she climbs in popularity. Her latest single, “Add It Up,” released May 16th, follows “PLASTIC CUP,” which jumped up Urban Radio charts. N3WYRKLA has over 1 million monthly listeners on Spotify and a Gold RIAA Certification for her song, “Outside All Night,” a collaboration with Brent Faiyaz and A$AP Rocky.

    We discovered N3WYRKLA on Groover. Her music is distinctive, bold, and boundary-pushing. “Add It Up” is a track meant for girls who are tired of men with too much talk and little action. Her writing combines pop, rock, and experimental R&B, and her style can be compared to TLC’s. We are immediately drawn to her artistry and passion for nostalgia.

    N3WYRKLA Add It Up

    N3WYRKLA just wrapped up her North American tour opening for FERG and is set to release her debut album soon. Follow her journey on socials and Spotify to watch the latest updates. Stream “Add It Up” below if you’re a fan of TLC, A$AP Rocky, Missy Elliott, or FERG.

    FOLLOW N3WYRKLA

    // INSTAGRAM // SPOTIFY // TIKTOK //

    // PREVIOUS POST //

    Akira Sky Block My Number

    Akira Sky Debuts Cinematic Video for New Song “Block My Number”

    Categories Songs, , , , , , , , , , Leave a Comment on Akira Sky Debuts Cinematic Video for New Song “Block My Number”

    POETRY DANS LA RUE

    “Akira Sky makes music for the beautifully overwhelmed.” This line from Akira’s press release on her latest music video, “Block My Number,” is all we need to know as a blog that thrives on emotion-evoking music.

    The “Block My Number” single and visual pair seamlessly to pour the cinematic emotions from a raw breakup to a renewed version of yourself.

    Akira Sky Releases Visual for “Block My Number”

    Akira Sky’s background as a fully independent singer, songwriter, producer, and multi-instrumentalist allows her to blend dream pop and alt-pop textures with her signature smooth, rich voice. She grew up in L.A. and now lives in Brooklyn. Akira began writing songs and playing piano and guitar in elementary school. In her teens, she had the opportunity to perform at venues like the Hollywood Bowl and Whisky a GoGo.

    “Block My Number” is moody, cinematic, and emotionally charged. The video, directed by Luiza Botelho, was shot across Manhattan and Brooklyn and features Brazilian actor and model Pablo Morais.

    Akira’s influences range from Janelle Monáe to Dodie and Prince, allowing her to explore different lanes and define her musical path.

    Akira Sky will release her debut EP this summer. Check out the “Block My Number” music video and add the single to your latest ‘heartbreak, all the feels, or season-changing’ playlist.

    Akira Sky Block My Number

    FOLLOW AKIRA SKY

    // INSTAGRAM // SPOTIFY // TIKTOK //

    // PREVIOUS POST //

    Saint Valentine The Good

    Saint Valentine Drops Heartfelt New Single “The Good”

    Categories Songs, , , , , , , , Leave a Comment on Saint Valentine Drops Heartfelt New Single “The Good”

    Kate Freeman

    PRESS RELEASE: Following on from “Transjester,” indie folk artist Saint Valentine has just released “The Good,” the second single from their upcoming four-part EP. This new track offers a brighter counterpoint to the first single, painting a portrait of friendship and longing.

    Saint Valentine The Good

    “The Good” is reminiscent of the 2000s anti-folk sound, with lo-fi production and driving guitar strums. But once you delve deeper and notice the melodic basslines and how the track swells with harmony in the choruses, it’s more than that.

    Lyrically, “The Good” is an earnest and vulnerable exploration of growing up. Lines like “I’ll be the jester, you’ll be a pirate” are almost reminiscent of the folklore deep-cut “seven.”

    The single confesses a loyal bond of wanting to take someone’s pain away, “Shoot your arrows if
    need be, but shoot them only at me if you need to bleed.”     With effortless lyrical transitions that resonate like poetry, Saint Valentine further plays into the themes of escapism, fantasy, and identity.

    Saint Valentine’s heartfelt declaration that their friend is “the good thing that happened to me,” coupled with the song’s compelling sound, makes “The Good” a promising addition to their musical catalog.

    FOLLOW SAINT VALENTINE

    // INSTAGRAM // SPOTIFY // TIKTOK //

    // PREVIOUS POST //

    Nina Blu Purgatory Road

    Nina Blu Opens a New Chapter with Purgatory Road

    Categories Interviews, Songs, , , , , , , , , , Leave a Comment on Nina Blu Opens a New Chapter with Purgatory Road

    Naomi Iovescu

    I’m thrilled to be sitting down with Nina Blu today, whose new album Purgatory Road is truly an inspiring musical journey. Her songs dive deep into the complexities of love, loss, and personal transformation, revealing her unique ability to connect with listeners emotionally. Nina’s music isn’t just about catchy tunes—it’s about real, raw moments we can relate to. Whether you’re already a fan or recently discovering her sound, Nina’s honesty and vulnerability in her writing will draw you in.

    Nina Blu Purgatory Road

    Exploring the Emotional Themes That Inspire Nina Blu

    POETRY DANS LA RUE: What are the emotional themes or stories that you’re most passionate about exploring in your music?

    Nina Blu: I’m really into exploring what makes us human—how we love, how we grieve, how we change. Empathy plays a huge role in making music because the best songs make you feel understood. I think about all the times I’ve heard a song, and it felt like it was telling my story, like the artist had somehow pulled the words straight from my head. That’s the kind of connection I want to create—where someone hears one of my songs, and suddenly, it’s theirs.

    PDLR: Your songs aim to create a connection and make people feel heard. Can you walk us through your creative process when writing a new song?

    Nina Blu: It depends on whether the concept comes first or the melody does. Either way, I spend a lot of time fleshing it out, thinking about the story I’m telling and what I want people to take from it. But at the end of the day, the most important thing is just writing a good song. Even if you’re in your feelings, it still has to be catchy. Looking for those moments of resonance where the melody, lyrics, and story all come together is the best part of the process. 

    PDLR: What drew you to modern artists like Julia Michaels, Sabrina Carpenter, and girl in red? How do their approaches to songwriting resonate with you?

    Nina Blu: I grew up with parents who loved country music, so I have a natural love for a good turn-of-phrase. These artists balance pop melodies with really interesting lyrics that make me think. It’s simple without being basic. My favorite challenge in songwriting is the way language and music interact. People like to separate lyrics and melody, but I have a whole rant about how you can’t—lyrics need melody to be lyrics. I also have a dry sense of humor, which I feel these artists bring into their writing. 

    Nina Blu on Unwinding and Finding Creative Balance

    PDLR: How do you unwind and find balance outside of music? Are there other creative outlets that help fuel your artistic vision?

    Nina Blu: I literally just reposted a video about how musicians never know how to answer this question, but I swear I have hobbies. I love anything that gets me out of my head—painting, gardening, even cleaning. I find that when my hands are busy, new melodies tend to show up. Reading poetry helps me dissect my feelings and allows me to open up to find my own words to express them. Also, my dog keeps me grounded. Going for a walk and not looking at my phone, watching her take in the world, it’s so relaxing. 

    PDLR: Congratulations on the release of Purgatory Road! Can you tell us about the inspiration behind the album? What does Purgatory Road represent for you?

    Nina Blu: Purgatory Road was such a journey. It started with the accident and moving in with my parents off of an actual road called Purgatory Road. That whole time in my life felt like purgatory—like I was stuck between my life and what it was supposed to be. It was a lot of learning and growing up. In a way, the album represents both a beginning and an end.

    PDLR: The album blends emotional vulnerability with strength. How did you balance those elements when working on the songs? Did you find that some tracks were harder to write than others?

    Nina Blu: Some tracks were harder, just from a writing perspective. The hardest song was definitely “I don’t feel good.” I wrote down how I was feeling in my Notes app while I was on a walk with my dog. I hadn’t felt that low in a long time, and the words felt like utter nonsense, but it was how I felt. A few weeks later, one of my professors was lecturing about songs in 6/8 time and how the swing feel makes them great for conversational lyrics. I started playing around with it, and suddenly, all the words just needed a little rearranging, and the melody fit perfectly.

    I was nervous for people to hear it—it’s so raw and honestly a little weird—but my producers, Eric and Mike, really supported the song and made me feel confident in it. When I showed it to my little sister, she immediately started crying. It was a tough moment for us, but that’s when I knew I had to release it. 

    Nina Blu Pergatory Road
    Nina Blu Purgatory Road

    PDLR: In Purgatory Road, do you experiment with different sounds or storytelling styles that might surprise your listeners? Can you share examples?

    Nina Blu: There’s a little foley sound on “Van Gogh” that’s my dog’s collar jingling. She had passed away as I was finishing the project, and she had been there for me every step of my healing journey. I wanted her to be part of the album in some way. 

    For “Options,” I originally wanted it to be sad, but it just wasn’t working. The second I let it be petty, the song clicked into place. I wrote the song in upstate New York with I C E B E R G and mintsauce, and I cannot tell you how much fun we had writing it. You have to let the song take you where it wants to go, even if it’s not what you originally planned. 

    For “Oil and water,” I found this cool beat on Splice, and the bass line I played over it was literally just two notes. My producer, Mike, looked up at one point and went, “How is this so catchy with only two notes?” It’s one of the best compliments I think I’ve ever gotten. 

    PDLR: Was there a song on Purgatory Road that challenged you unexpectedly, either lyrically or musically? How did you overcome it?

    Nina Blu: “…asking for a friend” had the same melody but two completely different sets of lyrics at one point. I went into the writing room with my two co-writers and asked, “What direction do y’all think we should take?” We chose the weirder route, and I’m glad we did. There are so many lyrical gems in that song. I did have to sell them on the line about hard candy and Klonopin. I was really ready to put my foot down, but they came around. 

    And “magnetic (closer, closer)” actually came before the album itself—it took almost five years to finish. Even in its earliest versions, it was the first song that made me feel like I could really be a songwriter. It’s almost unrecognizable from the original version, but the concept kept pulling me back (pun intended). 

    The biggest lesson I learned from this project was how to simplify. When I listen to younger songwriters now, I hear many of them trying to combine too many ideas at once, and I used to do the same thing. This album taught me to strip a song down to its core and build from there. 

    PDLR: If you had to pick one track to introduce new listeners to your music, which would it be and why?

    Nina Blu: I think “…asking for a friend” gives you the best idea of what you’re in for from the first line. It’s a little poetic, a little in your feels, a little rock. It has a deeper meaning, but you also get a sense of the humor in it. 

    PDLR: Finally, for new fans who are just discovering your music. What do you want them to know about Nina Blu?

    Nina Blu: My music is for anyone who’s ever felt too much, overthought everything, or needed a song to say the thing they couldn’t. It’s for the moments when emotions feel bigger than words, when you’re replaying a conversation in your head for the hundredth time, or when you need someone to get it without you having to explain. I’ve always believed that the right song at the right time can make you feel a little less alone—so if you’ve ever found yourself in a lyric and thought, oh, that’s me—then welcome.

    FOLLOW NINA BLU

    // INSTAGRAM // SPOTIFY // YOUTUBE //

    // PREVIOUS INTERVIEW POST //

    Brooke Martin With Love

    Brooke Martin Kicks Off 2025 in New Single, “With Love”

    Categories Interviews, Songs, , , , , , , , Leave a Comment on Brooke Martin Kicks Off 2025 in New Single, “With Love”

    Naomi Iovescu

    Brooke Martin, ACMA “Young Artist of the Year” nominee and Songtank top 10 finalist, is no stranger to the spotlight. She’s kicking off 2025 with her new single, “With Love,” originally written by Canadian songwriter Daniel Hugie. With co-writer and producer Andrew Kirk, they’ve created a fresh, emotional take that’s all Brooke Martin. It’s raw, heartfelt, and full of emotion. She’s got such a bright future ahead, and I’m sure this is just the beginning of many more beautiful songs to come.

    Brooke Martin "With Love"

    Brooke Martin Chats Latest Single “With Love”

    POETRY DANS LA RUE: Hey, Brooke! It’s great to chat with you today. First off, congrats on your new single “With Love”—I know it’s a big moment for you. Can you share a little about how this song came together and what made it stand out to you when you first heard it?

    Brooke Martin: An artist named Daniel Hugie from Canada reached out to me, and he sent over a few demos. This was my first time working with him, so I went through all the tracks, and one really stood out: “With Love.” I was instantly drawn to the melodies, the storyline, and how it was written. Told from the perspective of a love note, it immediately grabs your attention.

    I took it to my producer, Andrew Kirk, and we made a few adjustments to make it our own. Initially, the song had a first chorus and second verse, then transitioned straight into the outro. We decided to add a second chorus, tweak the second verse slightly, and rework the bridge. It all came together in a way that felt natural and unique.

    PDLR: The song is described as a “love note” to a past relationship. Can you talk a little more about the message behind “With Love?”

    Brooke Martin: The song is open to different interpretations, depending on how each person connects with it. I remember a friend sharing her take on it, and it was fascinating because I saw it in a completely different way. For me, the song speaks to the tough decisions we sometimes face—those we don’t want to make, even when we still care deeply about the person. It’s about the challenge of letting go, even when it’s hard. There’s always the hope that you could reconnect someday, but for now, it’s about moving forward. I drew inspiration from a similar experience in a past relationship.

    PDLR: You’ve had such a busy year already with your 2024 single “Bad Guy” and the recognition you’ve received from the Glover Awards. How would you say “With Love” fits into your overall evolution as an artist?

    Brooke Martin: I’d say “With Love” marks a bit of a shift for me compared to my other songs. Most of my previous tracks have had a more pop-driven vibe, but “With Love” is slower and more stripped-back, which gives it a completely different feel. It’s definitely one of my favorite songs I’ve ever recorded, and I’m really proud of how it turned out. I’d love to explore this style more in the future.

    Right now, I’m still figuring out where I fit in the music world. I’m in an exciting phase of experimenting with different sounds and genres to see what resonates most with me and my audience. I’m looking forward to continuing to evolve and discover new directions for my music.

    Taking the Wheel with Talk of “Getaway Car”

    PDLR: That’s awesome—sounds like you’re on an exciting path! Speaking of the EP, can you tell us more about the upcoming single “Getaway Car?” I heard you showcased it at a Genesis Car Dealership event in California, and people were already calling it a “hit in the making!”

    Brooke Martin: This song is one we started a few years ago but never had the chance to finish, and it’s been sitting on my phone ever since. It’s totally different from anything I’ve released before—more dance and pop-driven, with a vibe that reminds me of Dua Lipa. I’m beyond excited that we got to work with Chris Penny on this EP.

    “Getaway Car” is a true dance anthem and definitely stands out from my other music. I can’t wait to see how people respond to it. It felt like the perfect place to debut it at the Genesis Car Dealership, especially with the song’s name. I can totally imagine it in a car commercial—it has that kind of energy, like something you’d hear in an exciting movie scene.

    PDLR: It sounds like that track is going to be a fun one! Now, with all this momentum and success, I know you’re also still studying at Belmont. How are you balancing school and being an artist?

    Brooke Martin: It’s definitely challenging. Belmont is great because it brings together people who are passionate about the same industry. Many students are songwriting majors, so it’s a supportive environment for honing our craft. I’m studying music business, but balancing everything, especially this semester, has been tough. Between building my career and working, it’s hard to find time for a social life. But I’m managing, and after this, I have just one more year. In my free time, I love going to the gym and binge-watching shows. It helps me feel better and reset.

    PDLR: Your music has such an emotional depth to it. Who or what are some of your biggest influences when it comes to writing and creating music?

    Brooke Martin: Tate McRae has always been one of my biggest inspirations. She began writing and posting original songs in her room on YouTube, and even though it feels like she’s just now gaining attention, I’ve been following her for years. Her writing style really resonates with me, and people often tell me I sound like her because of the rasp in my voice. I connect deeply with her raw, emotional approach to songwriting.

    Khalid is another artist who has had a huge influence on me. His music has this laid-back yet soulful vibe that pulls me in every time. I love how effortlessly he blends genres and emotions.

    Kelsea Ballerini is someone I can relate to. Her songs are not only beautiful but incredibly authentic. I admire how she tells such relatable stories, and I’m always drawn to her sound.

    PDLR: Nashville’s definitely a great place to be for a rising artist! Before we wrap up, what’s something you hope listeners take away from “With Love” and the new EP?

    Brooke Martin: With all of my songs, my main hope is that listeners can relate to them and feel like they’re not alone in what they’re going through. I want them to connect with the music on a deeper level and truly feel something. The EP features both happy and sad songs, and I want people to find themselves in the music, to enjoy it, and to be moved by it. We’ve all put a lot of heart and hard work into this project.

    FOLLOW BROOKE MARTIN

    // INSTAGRAM // SPOTIFY // YOUTUBE //

    // PREVIOUS INTERVIEW POST //

    Cati Landry "Desert Rose"

    Cati Landry Captures Windswept Bliss in New Single “Desert Rose”

    Categories Interviews, Songs, , , , , , , , , , Leave a Comment on Cati Landry Captures Windswept Bliss in New Single “Desert Rose”

    Naomi Iovescu

    Cati Landry, born and raised on Vancouver Island in the Pacific Northwest of Canada, captivates us with her latest single, “Desert Rose.” Her music radiates a profound, serene enchantment, and her spirit is one you’ll want to carry with you wherever life takes you. The countless hours spent perfecting her craft shine through as she charms her audience with her ethereal tunes. No matter where her journey takes her, music is her steadfast companion.

    Cati Landry Desert Rose

    “Being Honest with Myself is KEY“

    POETRY DANS LA RUE: How do you overcome creative blocks or find inspiration when you’re feeling stuck?

    Cati Landry: “When I feel creatively blocked, I often find a deeper issue at play. Being honest with myself is key, and talking to someone who truly knows me. Whether a friend or my mom, they help me see past the mask I put up. By “mask,” I mean the mask we wear to hide our true feelings. This self-reflection, along with journaling, helps me break through those blocks and reconnect with my creativity.”

    PDLR: Can you share the story or personal experiences that influenced the lyrics of “Riptide?”

    Cati Landry: “Growing up on Vancouver Island, just a short walk from the beach, significantly shaped my music. That rugged coastal imagery has deeply influenced my life. I’m excited that we could use it as a metaphor in the song to capture that feeling. My best memories are running barefoot on the sand with my friends, which influenced my songwriting. Being in the studio, working with Olivia Basile and Bella (Bolero) for the first time, I aimed to capture the feeling of losing oneself in a moment.”

    PDLR: Is there a particular song or project you’re especially proud of? What was the inspiration behind it?

    Cati Landry: “I’m really proud of the song I released this summer, “Riptide.” Working on it led me into new territory, and it was the first time I had met my two co-writers. It turned out to be a fantastic experience, and I’ve come to adore them and now consider them great friends. Venturing into this project for the first time came with its own set of uncertainties and vulnerabilities. This experience exposed me to opportunities I wouldn’t have encountered alone. Collaborating and building trust with these talented people has been truly meaningful for me.”

    PDLR: What can fans expect next from you? 

    Cati Landry: “I have a new song that just came out called “Desert Rose.” I worked with the same people who helped me create “Riptide.” I’m super excited about the release of “Desert Rose,” which is an especially personal track. I also have another song in the works, so stay tuned for that!”

    PDLR: What drives and motivates you to keep making music?

    Cati Landry: “For me, music has always been a steady companion. I was immersed in singing from a young age, initially training to be a classical or jazz performer. Though my path shifted when I began songwriting, music has remained a constant friend throughout my life. What drives and inspires me as a songwriter is the ability to capture and express my experiences, whether they’re current or from the past. I aim to create songs that resonate with others, offering a sense of connection and understanding during moments of emotion or vulnerability. It is truly meaningful to capture that in a song and have it serve as a companion, allowing others to feel understood and seen.”

    Cati Landry "Desert Rose"
    Cati Landry "Desert Rose"
    Cati Landry "Desert Rose"
    Cati Landry "Desert Rose"

    Cati on the Creation of “Desert Rose”

    PDLR: Were there any unique challenges or breakthroughs during the creation of “Desert Rose?”

    Cati Landry: “The songwriting process for “Riptide” and “Desert Rose” was quite an experience. The first day, we quickly hit our stride with “Riptide,” diving into it with ease. However, the next day with “Desert Rose” was different. We started two other song ideas before settling on “Desert Rose,” it took some trial and error to find the right direction.

    Initially, we were trying too hard to replicate the success of “Riptide,” which made it challenging to find our footing for the next song. We aimed to create something authentic that captured our current artistic mood. “Desert Rose” ended up with a vibey, moody feel, blending a touch of Western dreaminess with influences like the Eagles and Kacey Musgraves. It was a fun and evolving process, and I’m pleased with how it turned out. The rhythm and moodiness of the track are something I genuinely enjoy.”

    PDLR: What is the inspiration behind your new single, “Desert Rose?”

    Cati Landry: “I was drawn to the image of a desert rose. Bella and I talked about finding a symbol of hope, beauty, and possibility in a desolate landscape. Since we were planning a trip to the desert that weekend, it inspired us to use that imagery. I thought it would be interesting if “Desert Rose” felt almost like a hotel. I wanted the song to have a dual meaning, and I’m thrilled that we could add that extra layer of significance.”

    PDLR: What do you hope listeners will take away from “Desert Rose?”

    Cati Landry: “It’s really interesting, actually; when I had finished writing “Desert Rose,” I came across a passage in a book I’m reading, Women Who Run With the Wolves, that perfectly captured the image and what we were trying to convey in the song:”

    “We so often start out in the desert. We feel disenfranchised, alienated, not connected to anything, even a cactus clump…  A woman’s psyche may have found its way to the desert out of resonance or because of past cruelties or because she was not allowed a larger life above ground. So often a woman feels then that she lives in an empty place where there is maybe just one cactus with one brilliant red flower on it, and then in every direction, 500 miles of nothing. But for the woman who will go 501 miles, there is something more…

    Some women don’t want to be in the psychic desert. They hate the frailty, the spareness of it. They keep trying to crank a rusty jalopy and bump their way down the road to a fantasized shining city of the psyche. But they are disappointed, for the lush and the wild is not there. It is in the spirit world, that world between worlds… don’t be a fool. Go back and stand under that one red flower and walk straight ahead for that last hard mile… Sift the desert and see what you find. It is the only work we have to do.”

    “I hope that the song will transmit a bit of that energy, providing a sense of home, hope, and understanding. It’s about embracing your unique path, stepping outside conventional norms, and advocating for yourself. While I love where I’m from, I don’t quite fit the local mold, as there isn’t much of an artist scene here. I’ve found a wonderful group of friends who also felt out of place, and we’ve formed a close-knit family. I hope the song resonates with listeners who might need a friend and inspires them to keep searching for their sense of belonging.”

    FOLLOW CATI LANDRY

    // INSTAGRAM // SPOTIFY // TIKTOK //

    // PREVIOUS INTERVIEW POST //

    Alaina Margaret Droog Rabbit Hole

    Alaina Margaret Droog Debuts Her New Single “Rabbit Hole”

    Categories Interviews, Songs, , , , , , , Leave a Comment on Alaina Margaret Droog Debuts Her New Single “Rabbit Hole”

    Naomi Iovescu

    Folk-pop and indie singer-songwriter Alaina Margaret Droog creates edgy songs with a country twist. Now living in New York City, she pursues her artistic dreams with her latest release, “Rabbit Hole.” Growing up in the small town of Grafton, North Dakota, Alaina’s love for music began at age seven with guitar lessons. Her music connects with people through compassion, honesty, and emotion. Alaina’s clever songwriting and engaging performances draw in her audience, highlighting her skills in acting and comedy. 

    Alaina Margaret Droog " Rabbit Hole"

    POETRY DANS LA RUE: How has your identity as an artist evolved over the years?

    Alaina Margaret Droog: “I think it’s part of getting older; I no longer feel the need to play it safe, unlike when I started writing music and stuck to what felt comfortable. Over time, I’ve become more confident in expressing my thoughts. I’m more willing to break the rules and embrace my unique style as a musician. I’ve learned to trust myself and follow my instincts; however, I’m still working on it. I feel like I’ve grown in this area as an artist.”

    PDLR: Who in the music community do you admire most, and why?

    Alaina Margaret Droog: “Oh gosh, there are so many ways I could answer this! My music taste and inspiration are always changing. Right now, I’m inspired by Maddie Diaz. Her lyrics feel raw and emotional. I love how she isn’t afraid to say what others might avoid. It really resonates with me and reflects my belief in embracing discomfort.”

    “If there’s something you’re afraid to say, that’s often the thing you really need to say“

    PDLR: If you could leave one piece of advice for future generations of artists, what would you want them to remember?

    Alaina Margaret Droog: “Always stay true to yourself. If there’s something you’re afraid to say, that’s often the thing you really need to say. Learn to lean into your discomfort, especially regarding your art, as it can lead to deep growth and creativity.”

    Alaina Margaret Droog Rabbit Hole
    Alaina Margaret Droog Rabbit Hole

    PDLR: What do you believe is the role of music in our society today, and how do you see your work contributing to that?  

    Alaina Margaret Droog: “Although I don’t think about this often, I’ve discussed it with friends before, and I feel that music in the post-COVID era has become a way for many people to escape, especially given the uncertainty of the future. Recently, music has evolved into a deeper form of escape, allowing people to momentarily forget the present. It has become more vulnerable and opened new avenues for self-expression. Its primary purpose now seems to be helping us connect and relate to one another. I see my work contributing to this by creating music that encourages vulnerability and self-expression.”

    PDLR: What are your artistic goals for the next five years?

    Alaina Margaret Droog: “To be honest, I’m still figuring it all out. My main focus is finding joy in my work and embracing the journey. In the next five years, I want to challenge myself to put my art out there more and connect with my audience. For now, my biggest goal is to be present and do my best in this moment.”

    Alaina Margaret Droog "Rabbit Hole"
    Alaina Margaret Droog "Rabbit Hole"

    Alaina Margaret Droog Discusses the Creation of “Rabbit Hole”

    PDLR: What message do you hope viewers take away from your latest release, “Rabbit Hole?”

    Alaina Margaret Droog: “I hope listeners understand that we all experience doom-scrolling. It’s natural to want to check in on an ex and see what they’re up to. I want them to realize that you never really know what’s happening in someone’s life after a breakup. I hope they find comfort in knowing they’re not alone in these feelings. We all have that urge to stalk our exes, and acknowledging that can help in the process of letting go and finding peace.”

    PDLR: Were there any moments of vulnerability or self-discovery that influenced the creative process for “Rabbit Hole?”

    Alaina Margaret Droog: “I think I express it pretty clearly. There was a moment when I realized I was doing exactly what the song describes—stalking an ex’s social media. Then, it hit me as I found myself on his Spotify, trying to decipher if he had moved on based on his playlist. It was a wake-up call that made me reflect on my actions. That realization left me vulnerable, ultimately inspiring me to write this song.”

    PDLR: Why did you choose the title “Rabbit Hole?” What does it symbolize for you in the context of the piece?

    Alaina Margaret Droog: “When I was living in Virginia, surrounded by those stunning mountains, I naturally found a lot of inspiration for my writing. The idea of sound echoing down from the mountaintops made me think about how the truth can get distorted as it travels. This made me reflect on our habits of scrolling through our phones, often described as “going down a rabbit hole,” that journey into the unknown. I realized that this modern experience of doom-scrolling is quite similar to those echoes of truth I was exploring.”

    FOLLOW ALAINA MARGARET DROOG

    // INSTAGRAM // SPOTIFY // TIKTOK //

    // PREVIOUS INTERVIEW POST //