Diving At Dawn

Diving At Dawn Shares Unreleased Song from 25 Years Ago

Diving At Dawn I Can't Love You Anymore

Indie folk artist Pete Hobbs of Diving At Dawn finds redemption in releasing a single dating 25 years back. Diving At Dawn’s latest single, “I Can’t Love You Anymore,” brings back a history of turmoil for Hobbs. The London-based singer was the frontman of the band User at the time this song came to life. The three-piece power pop band had the opportunity to record “I Can’t Love You Anymore” with The Stones Roses producer Paul Schroeder. Shortly after, a record deal came to fruition, and Abbey Roads Studios was booked. Unfortunately for User, everything came crashing down in a dramatic stream of events that prevented the band from being signed and recording.

Hobbs went on to find success with The Boy Least Likely To, an English indie pop duo formed in 2002. The group has been supported by BBC Radio and Pitchfork. Their songs were also featured in films and tv shows like Easy A and Grey’s Anatomy.

With his solo project, Diving At Dawn, Hobbs revamped “I Can’t Love You Anymore” from its original power pop state to a more intimate folk ballad. Sometimes, songs have a way of coming full circle, and this one took a little reminder from Pete’s mom to inspire a journey back in time.

“It’s very strange to go back and inhabit something you created 25 years ago; much more
emotional than I had anticipated. It’s almost impossible not to look back and wonder what my younger self, who had his whole career ahead of him…would
think of how it all unfolded. It’s a beautiful full-circle moment for me.”

“I Can’t Love You Anymore” Song Review

“I Can’t Love You Anymore” encapsulates the backstory of a song that has taken the toll of time. It is a timeless tale of love, rejection, and a broken heart that resonates with those young and old. The song initially captivates with its melodic feel and almost seems to have been in the world this whole time. “I Can’t Love You Anymore” brings familiar feelings of longing for something you missed but couldn’t quite recall what it was. The folk ballad style of the latest version suits Diving At Dawn’s quintessential melancholic soundscapes.

Through the push and pull of the end of a relationship, the song embodies dispair, loneliness, and glimmers of hope. Diving At Dawn brings instant emotional connection with vulnerable vocals and sorrowful lyrics. “And I know I’m never gonna see you again, and the way I’m feeling now I’m better off dead, I know I’m only happy when I’m falling apart…” Hobbs transitions into a much more uplifting chorus of realizing all will be okay and he will prevail.

If you’re a fan of Beck, Van Halen, Wings, or similar artists, be sure to press play on “I Can’t Love You Anymore” from Diving At Dawn. Other recommended tracks include “Playing Your Records,” as previously featured on our blog, and “Lying By Myself.”

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best emerging indie artists

Best Emerging Indie Artists: Summer 2023 Wrap-Up

Did you find your song of the summer? Do you have a list of your favorite albums of 2023 so far? Maybe you caught onto Del Water Gap if you watched The Summer I Turned Pretty. Or if you followed along with the New Music Friday trends, you probably checked out Olivia Rodrigo, The National, and Morgan Wallen. If you’re still searching for some of the best emerging indie artists of the year, stay tuned for a breakdown of new music discoveries. Our summer 2023 wrap-up will put some new artists on your radar as we head into spooky season.

best emerging indie artists

Best Emerging Indie Artists Summer 2023

Amanda Cross: Folk/Acoustic/Alt-Country

Amanda Cross’s music blends several genres, from folk to Americana, country, and rock. Her summer single “Desert Rose” has a haunting aspect that undoubtedly captures the atmosphere of the desert. The song comes to a powerful height, demonstrating Amanda’s vocal range and talent. “Desert Rose” sparks a similar feel to “The River” by Daisy Jones & The Six. Amanda Cross followed this single with “Tennesee,” a more stripped-down folk ballad.

ANI: Soul pop

ANI is a soul-pop artist whose music is pure, calming, and heartfelt. Her single, “Miss U,” is an easy-listening earworm and a perfect addition to any chill-out playlist. The bassline on this track drives the song but pauses for the listener to focus on the vocals and lyrics. The chorus is memorable and soothing as it echoes in your head. ANI most recently released “Waiting Game,” which features more of her soulful vocals and sultry sound.

Lucius Arthur: Pop/Rock/Punk

Lucius Arthur is a pop-rock/punk artist from the U.K. His summer single, “Bad Trip,” proved to be a success for his audience. “Bad Trip” creeps into your head and instantly has you singing along in an angsty way. The vocals are inviting and unique, calling upon fans of Måneskin or The Struts.

Lucius recently followed “Bad Trip” with “Scarlet Tears,” a 90s-inspired single with a guitar style similar to Radiohead. He shows an array of emotions in his voice and a wide vocal range to keep the atmosphere captivating. After hearing these tracks, fans should be enthralled with the surprises in Lucius Arthur’s music.

Luther Clayton: Folk/Acoustic/Pop

Luther Clayton is an emerging singer-songwriter from the U.K. His recent single, “It’s Amazing,” showcases his songwriting talent and acoustic influences. The slow-building progression of this song keeps listeners eager to hear the story unfold. Moreover, the lyrics are eloquently written and delivered by Luther’s unmistakable vocals. You can hear musical inspiration from Luther’s influences, Ben Howard, Bon Iver, and David Gray. “It’s Amazing” is a heartbreaking track with an unexpected yet relatable ending.

Elijah Delgado: Indie rock/Singer-songwriter

Elijah Delgado’s music is for fans of Gary Clark Jr., John Mayer, Young the Giant, or Paulo Nutini. His latest single, “Pipe Dream,” draws listeners in with a minimal introduction focusing on the vocals and lyrics. “Pipe Dream” has many layers that play to Delgado’s depth and ability to blend genres. The structure of this song continues to give as it builds to a culminating high.

Best Emerging Indie Artists Summer 2023

Del Water Gap: Indie pop

Del Water Gap (Samuel Holden Jaffe) is the most recognized artist on this list. His music became more prevalent with the second season of The Summer I Turned Pretty. His infectious singles, “All We Ever Do Is Talk,” “Losing You,” and “Coping On Unemployment” have infinite plays.

As a follow-up to his 2021 debut, Del Water Gap released his sophomore LP I Miss You Already + I Haven’t Left Yet. This album includes indie pop bops that will carry you into the end of the year. Standout tracks apart from the singles include “NFU” and “Glitter & Honey.” Del Water Gap’s second album is certainly gearing up to be a contender for AOTY.

Edgar Everyone: Electropop

Edgar Everyone is a French artist living in L.A. His most recent single, “Time is a nonlinear joke,” merges electronic, pop, dance, and funk. His style of music would resonate with fans of Tame Impala, Gorillaz, or Thundercat. “Time is a nonlinear joke” is psychedelic, melodic, and particularly transcendent. This track makes a great addition to any festival or concert pump-up playlist.

Cati Landry: Indie pop/Dream pop

Cati Landry is a Canadian singer-songwriter who fuses indie, alt, and dream pop sounds. Her latest track, “Mind’s Eye,” is undeniably memorable and melodic. The chorus flawlessly achieves the goal of being catchy within the first few seconds. The combination of romanticism alongside poetic lyrics encourages you to dig deeper. Cati’s vocals seem to float as they carry the atmosphere of this song. “Mind’s Eye” is full of dreamy melodies and longing expressions that will stick in your head.

LiketheAstronaut: Alternative

LiketheAstronaut is a new project from John Glenn of the band Stellar Young. Together with Dave Parker (Weerd Science producer), Josh Eppard (Coheed & Cambria drummer), and Kyle Hatch (Stellar Young guitarist), they released their debut EP. The EP, Moments Before, covers grief, new life, and reflection presented in an organic blend of soundscapes.

“A Part” is the lead single from this project, which holds a scope of deeper emotions masked by upbeat elements. “Slumber Still” is a favorite from the EP that pulls in every direction of life when you explore the lyrics. “Slumber Still” has layers of despair, vulnerability, and hope. The contrast of the ethereal instrumentals and significantly personal lyrics will have you listening repeatedly.

PRIMOVERE: Indie pop/Altnernative

PRIMOVERE is an 8-piece Italian group that combines influences of indie pop, post-rock, new wave, and classical music. Their two most recent singles, “Funeral” and “Dopamine,” both hit with an abundance of emotions.

On “Funeral,” a glimpse of hope shines in the chorus of a mostly subdued and melancholic track. The song starts soft and focused, gradually building to a more amplified sound. The feelings of “Funeral” pierce the audience both musically and lyrically. “Dopamine” follows a similar suit, with flawless vocals and a clearly communicated message. The style of PRIMOVERE echoes the likes of The National with their ability to evoke a goosebump feeling from a ‘never-before-heard’ song.


Other best emerging indie artists of the summer include Holly Humberstone, Babe Rainbow, Shak SYrn, Anthony Ortiz, Nation of Language, and Cannons. All of these artists and more are featured in a selection of playlists below.

BEST EMERGING INDIE ARTISTS PLAYLISTS

NEW MUSIC EMERGING NOW

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WOMEN TO WATCH: EMERGING FEMALE ARTISTS

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Ryan Hommel Daisy Jones

Daisy Jones Music Director, Ryan Hommel, Releases First Album in 8 Years

For the past two and a half years, Ryan Hommel worked alongside the cast of Daisy Jones & The Six as the guitar/bass coach and Music Director. Yes, that means he taught cast members like Sam Claflin and Riley Keough to play guitar and become a band in the hit series for Amazon Prime Video. Through the ups and downs of the pandemic and the steadfast dedication of the production team and cast, Daisy Jones & The Six came to life in 2023.

Ryan Hommel, a Massachusetts-based guitar player, songwriter, and singer, recently released his first album since 2015. Default To Open is the second full-length album from Ryan, dating back to 2016 when he recorded these songs. The lead singles from this album showcase his raw talent and knack for penning songs that resonate with a wide range of music fans. Gaining insight into the stories behind these songs makes the album all the more intriguing to hear them after eight years.

We had the pleasure of chatting with Ryan Hommel to learn more about this collection of songs. In the past eight years, Ryan welcomed a lot of changes. Of course, the pandemic delayed the filming of Daisy Jones & the Six, but the time spent with the cast solidified his journey as Music Director. After touring with Amos Lee’s band as a guitar and pedal steel player, Ryan welcomed a baby girl earlier this year. Going from uncertainty to fatherhood has led Ryan to new endeavors, beginning with the release of Default To Open.

Ryan Hommel Daisy Jones

Ryan Hommel Interview

POETRY DANS LA RUE: You seem to be all over recently with Daisy Jones & The Six, your music, and your family. What’s the backstory to where you are now?

Ryan Hommel: “I’m originally from Massachusetts. My wife and I met here and decided to move to L.A. together. We lived in L.A. for about four years, which included the time during the pandemic, then we moved back to Massachusetts when we found out we were expecting a baby. Now we have a five-month-old daughter.”

PDLR: So I saw your album, Default To Open, was recorded in Nashville. Can you talk about that time in your life?

Ryan Hommel: “We recorded the album almost entirely in Nashville at Blackbird Studio. I used to drive a lot from Massachusetts to Nashville. I wanted to absorb the world of country music that I didn’t grow up in. Being surrounded by that community, I became passionate about playing pedal steel and met many people in the music industry.”

Behind Default To Open

PDLR: You recently released “Bury Me” and “All the Time in the World” as the first two singles. Can you talk about why you led the album with those songs?

Ryan Hommel: “When I listened to the whole record, those songs popped out to me as singable. I love songs that you can immediately sing along to. It makes listeners feel the song is familiar and they’ve known it forever. I’m not saying these songs achieved that necessarily, but most of the record doesn’t come close to doing that. Some other songs are more exploratory, longer, and experimental in songwriting. “Bury Me” and “All the Time in the World” felt like a good way to introduce the record to new ears.”

PDLR: I’ve had more time with the singles, of course, than the other tracks, but I do agree. “Bury Me” has been in my head a lot. It is singable and maybe more melodic, which people can easily pick up on. I also picked out “Wide Open” from the other songs, which was a little longer. It was more in-depth, and I liked the direction it went.

Ryan Hommel: “That’s great to hear because “Wide Open” is the first song I ever wrote. Default To Open is made of songs like that. It was my first experience putting these songs together from different times. Default To Open has been finished for eight years, since 2016. It almost feels like a compilation album, putting pieces of my writing together but only from a decade ago and earlier. The most recently written song on the record is the last track, “Brent Song.” I wrote this as a friend of mine passed away eight years ago. So the album comprises pieces of my life from before until 2016.”

“From an archiving standpoint and gaining a new perspective with my daughter being born, it matters that these songs are out there.”

Ryan Hommel: “I’m glad you responded to “Wide Open.” It feels surreal to me that that song will be in the world. From an archiving standpoint and having a new perspective with my daughter being born, it matters that these songs are out there. It’s also cathartic and rewarding to know that my daughter will be able to find that.

Sitting on these songs and having more time to reflect gave me an extended perspective. I feel more lighthearted about the record and less attached to it as a whole, but it’s a point in time that paints one picture.

I’ve done a lot of touring and come across so many songwriters. I’ve had more time to absorb how artists perform, interact, and adapt. You can interact with your art in many ways, and people will find their meaning once it’s out there. Art and music breathe new life into other people, and they breathe new life back into it.”

PDLR: Do you have a specific song that was the most rewarding to write or that you hit exactly what you were trying to convey?

Ryan Hommel: “I think “Wide Open” came out exactly how that song should be presented. Even if I’m unsure what that means, I’ve never felt that after recording a song. “Wide Open,” “Bury Me,” and “All the Time in the World” were songs that I recorded by setting up a guitar and vocal with a drummer in another booth at Blackbird.

All of the vocals on this record are primarily live, with the main guitar layer and the drums. Filling in the blanks with bass, other guitar parts, pedal steel, and keyboard was rewarding. It was me supplementing the barebones tracks we had from the recordings. I felt proud of “Wide Open” from the initial performance and what it was after we finalized the production.

In the song “Same Side,” the album’s third single, I played everything from top to bottom. “Same Side” occurred at my friend Ryan Ordway’s studio in New Hampshire. I went in with this song and planned to record it in a day. I started with an acoustic guitar and a vocal and added drums, bass, some other guitars, and pedal steel. Going in with a blank canvas like that and sitting back and listening after a day is a satisfying feeling.”

Musical Influences

PDLR: Who were some of your musical influences growing up, or who inspires you in your music?

Ryan Hommel: “My dad introduced me to a lot of guitar-based music as a young teenager. He was trying to get me out of my Stevie Ray Vaughan fixation at that age. He bought me a Steely Dan, a Jeff Beck, and a Robben Ford record. The guitar playing was nothing like what I was listening to at the time. My dad tried to show me that while Stevie Ray was excellent, there was another world of guitar players.

Before that, the music in my house was Stevie Wonder, Aretha, and Elvis Presley. Those were my first music memories, along with Ray Charles, Jimi Hendrix, Buddy Holly, and Howlin’ Wolf. My favorite current band has been Dawes. They are my gold standard in writing, performing, playing, and overall class and evolution.”

Daisy Jones & The Six

PDLR: How did you come into your role with the Daisy Jones series, and what was it like working with the cast?

Ryan Hommel: “So when my wife and I moved to L.A. at the end of 2019, I got a call from Tony Berg. He is an incredible producer and one of my producer heroes (Andrew Bird, Phoebe Bridgers, boygenius). I met him the year before, and he kept telling me to move to L.A. When we decided to move, he called me and said he had a two-month gig to teach guitar and bass to a handful of actors. The actors would come together and make this fictional band known as Daisy Jones & The Six from the book by Taylor Jenkins Reid.

At the time, Blake Mills and Tony Berg were running Sound City Studios in L.A., where many iconic artists have recorded. The show signed Tony as the Music Consultant for Daisy Jones & The Six and Blake Mills as the Executive Music Producer. Blake Mills wrote or co-wrote and produced all of the music for the soundtrack (alongside collaborators Tony Berg, Phoebe Bridgers, Taylor Goldsmith, Marcus Mumford, and Chris Weisman, among others). A huge bonus was the proximity to and the use of Sound City. The reality of the songwriting process and location mimicked the book’s storyline. So, plugging this fictional band into that time period and space was so surreal.

“The initial call was to have Daisy Jones & The Six be a fully functional band. If you put them on stage, they should be able to play this music flawlessly.”

I was set up across the street with Frankie Pine, the Music Supervisor, and a handful of other music coaches (drums, keyboard, vocal). We were working with the cast across the parking lot from Sound City. I was teaching Riley Keough (Daisy Jones), Will Harrison (Graham Dunne), and Josh Whitehouse (Eddie Roundtree) at the time, which was January 2020. Sam Claflin (Billy Dunne) came in around when everything shifted because of the pandemic.

They kept us remotely working on Zoom to keep the band learning. The cast members needed help learning their instruments and focusing on their characters’ roles, so most of that was done individually. Because I had been doing that, working with them collectively as a band made sense. So that’s how I fell into the role of Music Director for them as a band. Enter Suki Waterhouse (Karen Sirko) and Sebastian Chacon (Warren Rhodes), and we had Daisy Jones & The Six.”

Ryan Hommel Daisy Jones
Ryan working with Riley Keough (Daisy Jones)

“The initial call was to have them be a fully functional band even though they will be miming to recordings on the set. If you put them on a stage, they should be able to play this music flawlessly. That was a tall order, but everyone did their best and committed to the role.

Before we finally started shooting after the delay, we gathered the band at SIR in Hollywood for a private showcase. The showcase included everyone involved in making the show, like Taylor Jenkins Reid (book author), the Hello Sunshine media crew, Scott & Lauren Neustadter (creator), Reese Witherspoon (executive producer), Amazon, all the music crew, and more. It was particularly humbling to be a part of something that massive.

They absolutely achieved their goal, and they played the songs. They pretty much played the AURORA record front to back. Nabiyah Be (Simone) sang “A Song For You.” It was remarkable to see it pay off after keeping it going for so much longer than expected. They can all play and sing and have a natural chemistry that you can feel in the room.

My role transitioned into being on set with them whenever music was on camera. It was such a thrill to be there and coach them through those scenes. They were driven, motivated, and dedicated to learning to play music together, which certainly shows.”

PDLR: That’s incredible to hear your perspective. When reading a book, you envision how it will look. But then there was the uncertainty of not knowing if the show would happen or when. So when you hear it from you, it’s cool to see they came together as a band and learned it. You can see the realness in the show and the chemistry that you mention.

Daisy Jones Ryan Hommel

Looking Ahead For Ryan Hommel

PDLR: What’s next for you after the release of Default To Open?

Ryan Hommel: “The last record I put out was in 2015, and I began writing Default To Open around the same time. Of course, all these years have passed, and life has changed significantly. I’ve taken myself off the road to be with family and raise my daughter with my wife. I want to be present.

Releasing this record is putting me back in the game of how the industry works today. I’ve aided many people or worked on other records as a producer but haven’t put myself out there in a long time. I thank Greg Hall for running the backend of the album release and managing this campaign.

We hope that this album sets me up for future releases. I’ve already started working on the next record, which is more rooted in my life now, becoming a father and what family has come to mean. I enjoy getting the word out there and connecting with people in the music industry.

Ryan Hommel Ghost Hit Recording
Ghost Hit Recording Future Home of the 1 to 1 Sessions

After releasing this record, I’m starting a new live in-studio video series. It’s something similar to Daytrotter or Audiotree. This project would be about working with new artists that I usually wouldn’t have the chance to, but they are coming through town on tour or local to this area.

The idea is to bring them to Ghost Hit Recording studio in West Springfield, MA, where I often work. The studio was built into this church from 1800, and the live room is the sanctuary with the original pipe organ. It’s just a place where you feel especially compelled to make music. I’d love to bring in artists as a stop on their tour and cut some live footage, very minimally mic’ed. It’s going to be called the 1:1 Sessions. It’ll be a YouTube channel and a website.”


Be sure to check out Default To Open, available on all streaming platforms. Keep up with Ryan’s endeavors on social media and follow the 1:1 Sessions on Instagram and YouTube.

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Emerging Female Artists

Emerging Indie Female Artists Summer 2023

It’s no secret that more and more women are dominating the music industry and finding unique ways to get their voices heard. This month, we’ve received countless buzz-worthy submissions from emerging indie female artists all over the globe. This post highlights some phenomenal women to watch for the summer in the independent music scene.

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Emerging Indie Female Artists

Emerging Indie Female Artists

ALBA

ALBA is a French pop artist who released her most recent EP, Le bon sens, on July 5th. Her polarizing two-single project, “Oh! Chéri !” and “Oui chérie ?” shows a relationship from both sides (chéri/chérie) with two different production styles.

The first, “Oh! Chéri !” depicts a frustrated partner singing, “dis-moi pourquoi avec toi, c’est toujours comme ça ? Les promesses vaines, ta mauvaise foi* !” While the visual is in color, the song stays in a melancholic realm of doubt, unanswered questions, and exasperation. In contrast, “Oui chérie ?” is a more upbeat, synth-pop track responding to all the questions. “J’ai jamais menti. Je vois bien le problème, mais moi, j’ai rien promis**.” ALBA portrays this “couldn’t care less” side of the story in a black & white video accompanied by violins and a Latin influence.

*Tell me why it’s always the same with you? Your vain promises and bad faith.

**I never lied. I can see the problem, but I didn’t promise anything.

Amelie Lucille

Emerging Indie Female Artists

Amelie Lucille’s latest single, “Mess,” will have you questioning whether you are listening to Billie Eilish, Nina Nesbitt, or Olivia Rodrigo. The NYC indie-folk artist released her self-titled debut EP on June 15th. At the young age of 14, she already sets herself apart with her classic influences ranging from Björk to Lana Del Rey. Her pure vocals and tone highlight her “old soul” mentality. “Mess” is one of seven tracks on her EP. The single is well-polished, exquisitely written, and perfectly delivered. Within seconds of listening to this track, you won’t believe your ears. Furthermore, Amelie Lucille emulates raw talent and poise and is undoubtedly an artist to watch in the indie scene.

Ferielle

Emerging Indie Female Artists

Parisian pop artist Ferielle shares singles “JAMAIS” and “JETER UN SORT” on her debut EP l’eau qui dort. Her voice is sublime and rich, often compared to the likes of Maggie Rogers or King Princess in her musical style. You may recognize her 2022 single, “dis-moi on où va,” from season 3 of Emily in Paris. Her voice is undoubtedly recognizable, soft, and ethereal. The catchy melodies in “dis-moi où on va” and “JAMAIS” linger in your head, even if you don’t speak French. Her music transports you to a lighthearted rom-com movie you idolized in the 90s.

Hello Sister

Emerging Indie Female Artists

Pop-punk sister trio, Hello Sister, is on a kick to follow the path of the Jonas Brothers but in the musical style of Avril Lavigne or Paramore. The Orlando, Florida sisters previously appeared on America’s Got Talent in 2021. This year, the pop-rock teens shared a catalog of singles, including “Invisible Girl,” “Lately,” “Things You Never Said,” and “tragic.” “Invisible Girl” shows a softer, more emotional side to the group, while “Lately” brings on Avril-esque teenage angst. Their songs are incredibly catchy and memorable, staying with you even after one listen. The lyrics relate to teenagers going through similar growing pains in relationships, friendships, life, and love. Above all, Hello Sister demonstrates a knack for blending genres with their charismatic flair.

Kaÿcie

Kaÿcie is a Franco-American artist born in France known for her folk/pop indie style. Her single, “MOON,” is an innovative blend of indie, pop, folk, and acoustic styles. A haunting twangy guitar rings out in the introduction, encouraging the listener to stay alert. Kaÿcie’s folky vocals lure you in and draw you to the chorus, encompassed by rock-esque guitars as it builds. It’s alluring, earthy, serene, and thought-provoking.

Her recent single, “Young Hearts,” showcases her superb vocal ability, soft indie folk style, and poetic lyricism. The chorus soars over a harmony of “My young heart is old, for my love is bold, and your fire’s beauty to behold.” Kaÿcie’s songwriting shines brightly on this track as she uses imagery to describe how her youth has dwindled, revealing an older, wiser, more poised version of herself in love.

Micaela Kleinsmith

Micaela Kleinsmith is a South African country artist and the first winner of the Apple TV+ series My Kind of Country. The series, executive produced by Reese Witherspoon and Kacey Musgraves, features coaches from the country music scene. Orville Peck scouted and coached Micaela on the show, leading her to victory. Micaela dazzled her audience with hit singles like “If I Die Young,” “Need You Now,” and “Good Kisser.” The soulful artist shared her original songs “Stupid Love” and “Butterfly” while on the show.

Micaela’s recent EP Butterfly includes her most popular single, “Raise This Cup,” a dance-worthy country drinking song. In contrast, a softer side reflects in her latest release, “Over You,” with Rudi Simon & Marcel Aquila. “Over You” spotlights her rich vocals on a surprising dance track showing her depth outside of the country music world.

Naya

Emerging Indie Female Singers

French singer-songwriter Naya shared her single, “vaguémo,” a melancholic dream-pop tune. The gloomy lyrics create a somber and sorrowful atmosphere around her mesmerizing vocals. Her voice is unique and memorable after a few seconds, setting her apart from many artists in this genre. The chorus draws listeners into a trancelike state as her voice rings out, “comme une tempête qui souffle dans ta tête, et tout le flot, tout le flot de cette vague émo*.”

Naya’s hypnotic vocals and distinctive style put her in line with the likes of Holly Humberstone, Gracie Abrams, and Beach House. Most recently, Naya opened for The 1975 at the gorgeous L’Olympia music hall in Paris.

*Like a storm blowing in your head, and all the flood, all the flood of this emo wave.

Sarah Lake

Emerging Indie Female Artists

Nashville country artist and former American Idol top 20 contestant, Sarah Lake, has had success lately with her single, “Good to Be Gone.” She released two versions of the track; a radio single and an acoustic version. Sarah co-wrote “Good to Be Gone” with Songland finalist Alyssa Newton. The song is produced by her husband and Grammy Nominated producer Ernie Lake. Sarah’s voice sounds flawless in this summer breakup track, especially on the acoustic version. The lyrics and storytelling aspect put you directly into the singer’s shoes. “Good to Be Gone” is an immediate earworm stuck in your head for days.

Sarah recently released a collaborative single with Lucas Grabeel entitled “Back to You.” She follows this with her brand-new track, “To Alabama,” a love song to Alabama, a peaceful place to escape. The single is a writing collaboration with the Nashville country rock group Everette.

tiger del flor

Emerging Indie Female Musicians

Emerging indie pop artist tiger del flor drops an ‘in-your-face’ grunge-inspired single, “shut up and kiss me!” You may recognize the singer from the popular reality series Love Island, USA (Season 4). Del flor makes a bang with “shut up and kiss me!” combining pop, punk, and grunge elements. She pays homage to fellow Seattle legends Nirvana, Hole, and Mudhoney, some of the groups she grew up listening to. “Shut up and kiss me!” is melodic, edgy, seductive, and nostalgic; it creeps into your ears and echos in your brain. tiger del flor is gearing up to release her debut EP see me in hell.

Discover these incredible Emerging Indie Female Artists and so many others on our “New Music Emerging Now” playlists for the season.

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Creative Workspace

Now Spinning: Cara Louise ‘Wholesome Dread’

Check your list for Album of the Year and add Wholesome Dread by Cara Louise to the queue. Soul Step Records drops two exclusive vinyl variants of the folk-inspired indie rock LP this weekend. Subscribe now and don’t miss the chance to check out the Orange Sunburst vinyl, a sweet Wax Mage variant, and a free 45 of “Fragile Heart” by Cara Louise.

St. Louis to Nashville singer-songwriter Cara Louise is the missing piece to your emerging artist vinyl collection. Cara Louise’s vocal style often reminds music fans of Brandi Carlile or Sharon Van Etten. Her indie rock disposition blended with folk roots also draws parallels to folk sisters Joseph and Larkin Poe. Wholesome Dread, released September 30th, pivots on the themes of existential dread and self-discovery. Take a deep dive into the 9-track LP, and you’ll be captivated by Cara’s lyricism and affinity for a genre-bending album.

Subscribe and check out the Wholesome Dread Orange Sunburst variant HERE!

Cara Louise Soul Step Records

// Favorite Tracks //

“Wholesome Dread” encapsulates the ever-present theme of the album with relatable lyrics, “can’t deny we’re all the same, afraid of dying.” This intro track makes you feel like you are experiencing the live version in the same room with Cara Louise.

“Must Be Nice” is a lyrically relatable track for twenty and thirty-somethings trying to navigate adulthood and mental health struggles. Cara’s vocal range on the chorus quickly lands “Must Be Nice” as a standout track on the 9-song LP.

“Empty Me” has an upbeat dance-worthy backtrack yet is starkly contrasted by more profound lyrics of uncertainty. The single has the right amount of push and pull for a well-crafted melancholic hit.

“Julia” has more of a country folk feel with twangy guitars and vivid picturesque lyrics. Cara’s voice remains serene as the instrumentals amplify to a height.

*Soul Step Records upfronts the cost of vinyl production for new artists. For more information on Soul Step Records and their mission, visit their website or follow them on Instagram below.

// FOLLOW SOUL STEP RECORDS // FOLLOW CARA LOUISE //

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New Music Friday

New Music Friday: Flames of Fall

Things have never been hotter in the music industry, and we are here to keep you in the loop! New Music Friday is back with a collaborative fall playlist. POETRY DANS LA RUE curates Flames of Fall; highly anticipated tracks from The 1975, Noah Kahan, and Blink-182 mixed with undiscovered tracks from around the world to spice up your music taste.

*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene worldwide. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.

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New Music Friday Fall Playlist

New Music Friday: Fall Playlist

// “Harlot” by FABER //-Rock

FABER brings the heat and the vengeance on her latest single, “Harlot.” The single is bold and full of fury, yet comes out on top with the ‘take that’ type of comeback. The London rocker spices up her game with crystal-clear lyrics detailing an awry relationship. “Harlot” showcases FABER’s ability to draw her audience in and make them genuinely feel her story.

// “Central London” by Jodie Mellor //-Pop

Self-proclaimed “professional bedroom singer” Jodie Mellor gushes about love on her latest single, “Central London.” The Bristol-based singer-songwriter conveys her message of overcoming personal anxieties to show her love for her partner. Mellor sings, “I would drive through central London for you,” in a reassuring proclamation of her feelings. “Central London” may expose Mellor’s anxieties, but it also highlights her vocal and lyrical talents. The song paints the perfect picture of a selfless type of love.

// “All My Love” by Noah Kahan //-Folk

New England folk singer-songwriter Noah Kahan releases his third studio album today. “All My Love” is the third track on Stick Season, following his two lyrically flawless singles. Keeping the folky, fall feeling of longing and isolation, Kahan writes better than ever: “I’m sayin’ too much, but you know how it gets out here. No winter coat could keep out all the cold of your atmosphere.” “All My Love” is a respectful, mature break-up song for the season of change.

// “Necromancing” by Justin Kerecz //-Rock

We are very much here for Justin Kerecz’s latest chilling single, “Necromancing,” a Tom Petty-inspired track for the spooky season. Petty-esque guitars and a chorus of “oooo oooo” add just enough heartland sounds to this autumn tune. Also drawing influences from Butch Walker, Ghost, and Warren Zevon, “Necromancing” is the perfect eerie addition to your Halloween playlist.

// “At the Pool” by Lioba //-Pop

Germany-native artist Lioba released her latest single, “At the Pool,” defining her new alternative pop sound. “At the Pool” explores a melancholic Lorde-type concept of transforming bubblegum pop into intoxicating synthy waves. Lioba demonstrates magnetic allure on this track, weaving through airy vocals to a deeper range on the outro.


Check out all of these songs and more on our New Music Friday Fall Playlists

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best of Raleigh

Emerging Now: Best of Raleigh Music

As Raleigh, NC steadily grows, so does the Raleigh music scene. We’ve zoomed in on local upcoming music artists to create an Emerging Now: Best of Raleigh Music guide and playlist. Local residents of Raleigh can easily catch these artists playing events while exploring the Triangle. Check out our song picks and playlists below featuring Christian James, Paige King Johnson, Heather Sarona, Stray Local, and more!

*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene all over the world. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.

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best of Raleigh music

Best of Raleigh Music: Top Songs

// “Lately” by Christian James ft. Laith, and Chico //-Alternative/Hip-hop

Christian James, a local Hip-hop/Rap artist, released a more Alternative style single, “Lately,” this May. “Lately” is an infectious earworm that takes us back to the days of streaming “Waves” by Mr. Probz while enjoying a summer cocktail. The single incorporates clever lyrics, “Baby, baby grab the phone seven digits, seven minutes till I land, Amy Winehouse records spinning like a ceiling fan.” The verses hit with just the right amount of diction and flow, leading to an undeniably catchy pre-hook and chorus. “Lately” is one of those songs you listen to once and can easily sing along by the last chorus. Follow Christian James for more new music coming next week!

// “Window to Break” by Heather Sarona //-Americana Singer-songwriter

Holly Springs native singer-songwriter, Heather Sarona, debuted her first album, Head Above Water, this past January. “Window to Break” is a standout coda to the Alternative-folk style LP. Haunting lyrics like “My treasure and my pride, there for you to take, my window’s yours to break” showcase the vulnerability of being unguarded in a relationship. Her folky vocals and southern charm will win you over in this soothing single. You can catch Heather in the Triangle over the next few months with her next appearance on September 17th at Mason Jar in Fuquay.

// “Maybe We’re All” by John Sierra //-Singer-songwriter

“Maybe We’re All” is a pensive, thought-provoking track by Raleigh Singer-songwriter John Sierra. The beautifully written, coffeehouse playlist-type song embodies longing and commonality. Sierra recounts several stories of lonely passersby and links a common ground by singing, “Maybe we’re all looking for love, maybe we’re all looking for home.” Check out John Sierra live around Durham and Raleigh from now until December!

// “Holding Hope” by Jon Ward Beyle //-Folk-rock

Jon Ward Beyle has an Avett Brothers-esque style of vocals and storytelling on the single “Holding Hope” from his debut album Worth Stopping For (2021). “Holding Hope” is reflective and wistful, a perfect folk-rock ballad that starts soft and amps to close. The track is a true homage to songwriting in the sense of being able to connect with listeners and send a powerful message through music. Jon Ward Beyle frequents one of our favorite venues in Carrboro, Cat’s Cradle, and is set to play at The Evening Muse in Charlotte this Friday with Courtney Lynn & Quinn.

// “American Beauty” by Paige King Johnson //-Country singer-songwriter

If you’re looking for an America’s sweetheart country singer in the Triangle, Paige King Johnson is your girl. Her single “American Beauty,” off of her debut album Honky Tonk Heart (released June 2022), could easily land her a few gigs opening for some of your favorite country artists. In fact, Paige has already been an opening act for the likes of Kane Brown, Scotty McCreery, Joe Nichols, and Gabby Barrett! “American Beauty” is a ‘tale as old as time’ classic country song with mature flawless vocals. The story of “American Beauty” is a reminder to young women, as well as a personal anthem to the artist, that you can chase your dreams, and everything will work out.

Paige has several upcoming tour dates in the area. She’ll be playing with local The Voice star Britton Buchanan in Sanford this Thursday!

// “Shiver” by Stray Local //-Indie-pop

Stray Local is an upbeat Indie-pop band that you may stumble upon while out in the Raleigh area. The husband-and-wife duo, Hannah and Jamie Rowen, have several catchy singles, including “Shiver,” an easy-listening pop track. Stray Local are also avid runners, and “Shiver” is a great soundtrack for a scenic jog in the triangle. Catch them live as they hop from breweries to coffee shops in the area.

// “Worthless” by Tiger Beach //-Indie-rock

Raleigh’s own Tiger Beach is on a roll of releasing new music. “Worthless” is our favorite track of their recent releases over the past year. Reminiscent of Wallows Tell Me That It’s Over vocally and The Cure’s Disintegration sonically, “Worthless” defines Tiger Beach’s Indie-rock sound. The key change on the bridge draws you in closer to the melancholic chorus, “Tell me that it’s always just so worthless, tell that I’m wasting all of my time, tell me that I’m never gonna make it.” The defining repetitive bassline continues through the end in a culmination of power-surging sounds. Follow Tiger Beach for updates on upcoming shows!


Check out all of these songs and more on our Emerging Now playlists below

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new music emerging now

New Music Emerging Now July 2022

New Music Friday is jam-packed with album drops, new singles, and endless playlists. Finding it difficult to keep up with your favorite artists? This week, we play catch-up for you, sifting through noteworthy LPs and emerging tracks over the past few months. Scroll through to discover new artists and check out our weekly New Music Emerging Now July 2022 playlists for more curated content!

*POETRY DANS LA RUE strives to promote new and upcoming artists in the music scene all over the world. Our goal is to provide a platform for ‘on the rise’ artists and encourage fans to discover new music.

// SPOTIFY PLAYLIST // APPLE MUSIC PLAYLIST //

new music emerging now july 2022

New Music Emerging Now July 2022: ALBUMS

// Leap by James Bay //-Singer-songwriter

British singer-songwriter James Bay dropped his third album, Leap, and is soaring to the top of the UK charts (competing for #1 with Monsieur Styles). For those unfamiliar with Bay, he brings intricate and poetic lyrics together with big guitar sounds and powerful raspy vocals. An artist who simply lights the place on fire when performing live, Bay’s third album is flawlessly laced with all of his signature songwriting melodies and lyrics. Leap brings massive tunes such as “Brilliant Still,” “Silent Love,” “One Life,” “Right Now,” and “Give Me the Reason.”

Fans of Springsteen, Petty, Dylan, Clapton, and Marvin Gaye keep your ears peeled for hints of the most influential songs of their time. “Give Me the Reason” focuses on Bay’s dramatic vocal range, drawing you in from the first track of the album. “One Life” is a tear-inducing ‘pour your heart out’ wedding song, while “Silent Love” embraces vulnerability in moments of uncertainty in a new relationship. Bay uses a lustrous falsetto in “Right Now” to induce longing romantic glances, and “Brilliant Still” is a charming reminder of everlasting admiration.

// GRAB THE VINYL OR STREAM HERE // ALBUM INFLUENCES PLAYLIST //

// Beatopia by beabadoobee //-Alternative

Alternative indie artist beabadoobee drops her dreamlike sophomore album Beatopia today. Standout contrasting singles “Talk” and “See You Soon” eerily creep into your mind and leave lasting earworms. “Talk” sings sweet guitars alongside 90’s-esque pop punk lyrics, while “See You Soon” echos cosmic sounds and purified vocal wonders.

Deeper cuts include “Perfect Pair” and “You’re Here That’s the Thing,” both tunes evoking sounds of a Parisian-style jazz café. “Ripples” is more downtempo, accompanied by peaceful strings, paired with sincere lyrics and pure vocals.

// GRAB THE VINYL OR STREAM HERE //

// TALK TALK by The Faim //-Alternative

Aussie natives The Faim dropped their sophomore album TALK TALK last Friday, and we are head over heels! While the entirety of the album is meshed with soaring rhythms and vocals, standout tracks include “Life in a Cinema,” “Flowers,” “Me Because of You,” and “Jealous Love.”

“Flowers” whispers of ‘listen to me’ vocals in the intro, leading to a massive build-up bridge and jump-inducing anthemic chorus. “Me Because of You” merges retro pop with funky guitars and a soaring chorus with a full vocal range on display. “Jealous Love” builds quintessential Young the Giant-type drums in an outpour of heartfelt lyrics. To round off the album, “ERA” feels like a wistful yet hopeful coda to a cohesive soundtrack for The Faim.

// STREAM HERE //

// The Ground Beneath Me by Out of Service //-Indie Rock

Indie rock band Out of Service of Philly put out emo blended, guitar-heavy, The Ground Beneath Me this June. Out of Service combines the qualities of emo, rock, indie, and grudge, developing a sound that music fans have searched for over recent years. The Ground Beneath Me includes guest vocals from Taking Back Sunday (John Nolan), All Get Out (Nathan Hussey), and Emery.

From start to finish, the album includes nods to all your favorite emo bands of the early 2000s. Hawthorne Heights-style guitar tones resound in “A Moment Trapped in Time” ft. Emery, followed by a Brand New reminiscent “Offshore” vocal. “Offshore” starts off with hushed vocals, a slow build to the bridge, and a full-on rock-out chorus. “What You See” ft. John Nolan gives the album depth, culminating in a thundering outro of classic TBS vocals.

Out of Service generates emo music in a realm where *new* bands of this caliber are few and far between.

// GRAB THE VINYL OR STREAM HERE //

New Music Emerging Now July 2022: TRACKS

// “California” by Justin Kerecz //-Folk/Singer-songwriter

Philly area singer-songwriter Justin Kerecz launched an ‘easy feelin’ track entitled “California” this past week. “California” paints a perfect Western escape with a blend of folky vocals, bluesy guitars, and nods to timeless Gram Parsons tunes. Kerecz creates the right amount of twang, nostalgia, and endearment to wind you down a back road on summer nights.

// “17” by Cartel //-Alternative

After nearly a decade hiatus, Georgia pop-punk band Cartel is back with a new nostalgic single, “17.” “17” possesses distinctive elements of fan-favorite tracks “Honestly” and “Say Anything (Else),” staying true to the early 2000’s draw of the band. Moreover, the single is polished and reflective, with mature vocals, signature guitars, and pensive lyrics. Will Pugh’s voice echoes the likes of Jimmy Eat World in soft songs like “555.” Cartel joins Dashboard Confessional and Andrew McMahon on their Hello Gone Days tour August 16-27.

// “Dolly” by Fiona McHugh //-Singer-songwriter

Poetic Philadelphia-based singer-songwriter Fiona McHugh debuted Just Passing Through (EP) this past May. “Dolly” showcases elegant lyricism sprinkled with the vocal angst and conviction of an Alanis Morissette or Fiona Apple song. McHugh’s voice is undeniably unique. We will keep an eye on her upcoming endeavors.

// “Saturday Morning Cartoons” by Wilmah //-Pop

New York’s duo of Matt Conolly and William O’Connor, Wilmah, released the hopeful pop track “Saturday Morning Cartoons” this week. “Saturday Morning” combines dance-inducing instrumentation and production with eager lyrics and a captivatingly catchy chorus. Wilmah continues to have an effortless ability to produce and generate invigorating pop songs for the times.


Check out all of these songs and more on our New Music Emerging Now playlists below

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