Amelie Lucille Pool

“Pool” by Amelie Lucille Immerses You in a Wave of Emotions

Fifteen-year-old indie folk singer-songwriter Amelie Lucille reveals a clear love for classical music. Her compositions display a uniquely powerful voice and deep passion for her musical roots. Amelie’s music, characterized by its confessional and intimate nature, is a captivating blend of expression and artistry. The NYC artist takes us inside her head on her creative process for the release of her latest single, “Pool.”

Amelie Lucille
Amelie Lucille Pool

Amelie Lucille Unveils the Emotional Side of an Old Soul

POETRY DANS LA RUE: Do you have any routines that you follow to stay creative and focused in your art practice?

Amelie Lucille: “Simply put, consistency. I attend a performing arts school. I am consistently surrounded by music and talented musicians. Attending a performing arts school allows me to constantly be working on my craft. It gives me the opportunity to play different instruments and listen to different kinds of music. I think it helps me stay creative, gets my musical juices flowing, and helps me stay focused.”

PDLR: What role does your personal identity play in influencing your artistic style and themes?

Amelie Lucille: “I’m obviously still very young, and it might sound kind of cheesy, but I am still figuring out who I am going to be. I think when it comes to music, I have always been drawn to emotional songs. When I say emotional songs, I mean really depressing, sad songs. I think I have always been in that aesthetic. When I say that, I’m referring to artists such as Phoebe Bridgers, Olivia Rodrigo, Lizzy McAlpine. I like to be in tune with my sad emotions.” 

“I have always been drawn to emotional songs”

PDLR: In what ways do you seek to evolve or grow as an artist, and what strategies have you found effective in managing your art? 

Amelie Lucille: “I am trying to learn to play more instruments. My main instrument is the guitar, but I am trying to learn how to play piano next. I’m learning to like the opportunities I get when it comes to performing live. I’ve found that performing live helps build my fanbase and audience. It encourages me to make new music. I love that I can get out of my comfort zone.”

PDLR: Can you share a particular artist or song that has had a significant impact on your musical journey, and how has it influenced your own music? 

Amelie Lucille: “Yes, my parents have the best taste in music. Growing up, I listened to “Weird Fishes” by Radiohead. The artist who has impacted me the most this year is Adrianne Lenker, the lead singer of Big Thief. She is insanely genius. Adrianne and I have a very similar style of music. I’ve listened to her music for an unhealthy amount of time. I think I definitely draw 100% of my influences from her.”

“I want the audience to be left feeling more”

PDLR: When your fans listen to “Pool,” what is something that you want them to take away from the song or leave with them? 

Amelie Lucille: “If you listen to the lyrics and the overall story you can tell that it’s coming from a narrative perspective and not me just explaining a situation. It’s about someone who is feeling used in a relationship. Towards the end, you start to understand there is more anger coming from the person. I want the audience to be left feeling more. Whether you can relate to it from a personal experience or just feeling moved by the song.”

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Elijah Woods

Elijah Woods Chats New EP Ahead of Sold-Out Asia Tour

Toronto-based pop singer-songwriter Elijah Woods recently sent Swifties down a nostalgic rabbit hole with his Taylor-inspired single, “the way that we started (taylor).” His latest EP, silver lining (March 2024), includes three emotionally raw tracks about losing a close friend. Elijah’s gracefully crafted songwriting and infectious melodies capture the hearts of many listeners in the pop music scene. We catch Elijah for a quick Q&A as gears up for his sold-out Asia tour and opening date with Niall Horan in Jakarta, Indonesia.

Elijah Woods
Niall Horan

Elijah Woods Q&A

POETRY DANS LA RUE: We’ve been following your music on social media and loved “the way that we started (taylor).” What was it like with the overwhelming reaction to that song? 

Elijah Woods: “Thank you so much! That was a fun one to write. It honestly started as a songwriting exercise, but when I finished the song, it felt too good not to release. I think the social media response gave me the confidence to put it out.”

POETRY DANS LA RUE: Your new EP (silver lining) really showcases your songwriting talent and ability to connect emotionally with listeners. Can you talk about your songwriting process for this EP?

Elijah Woods: “Writing silver lining was pretty cathartic. I was genuinely just trying to process the loss of somebody close to me, and this was me going through those emotions. It’s funny because the songs actually ended up in chronological order of when I wrote them. I didn’t realize that until literally yesterday!

The first song, “second guessing,” highlights my anger and confusion about the situation. Then, “losing a friend” was very much me coming to terms with the fact that this relationship was over, and I needed to find my own closure in that. Lastly, “silver lining” is an internal conversation about how despite everything I’ve been through with this person, I still only see the best in them. Overall, this project put a lot of things into perspective for me, and I hope it does the same for anybody listening.”

Ahead of Asia Tour & Opening for Niall Horan

PDLR: What are you looking forward to most about your tour and opening for Niall Horan?

Elijah Woods: “I’m still in disbelief that this is happening! Getting the opportunity to play in front of that many people and one of my idols at the same time is going to be a massive highlight for me.”

PDLR: Are there future plans for a US tour? Who would you like to open for in the US/CA?

Elijah Woods: “That’s something that’s definitely at the front of my mind. I can’t wait to connect with all of these people who have changed my life. I’d love to go on tour with LANY.”

PDLR: Any advice for young indie artists finding their way in a fast-paced industry?

Elijah Woods: “Make things that fuel you to make other things. The only times I’ve noticed a downfall in my creativity is when I was on a path that didn’t make me happy.”

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Taylor Contarino Bare Minimum

Taylor Contarino Shows Her Artistry is More than “Bare Minimum” on Latest Single

Authentic singer and songwriter Taylor Contarino takes on the music industry with her latest release, “Bare Minimum,” out April 19, 2024. The small-town artist moved from South Jersey to Los Angeles and is currently pursuing her education and dreams. She is a lover of all things that revolve around music. Taylor is authentic in showing her vulnerability through her music and who she is as a person. She is an inspiration and the definition of an artist in every way.

Taylor Contarino
Bare Minimum
Photographer credit: Karly Ramnani

Q&A with Taylor Contarino

POETRY DANS LA RUE: How did you first become interested in music, and what inspired you to pursue a career as a musician?

Taylor Contarino: “I had a passion for music from a very young age. My mom would always play Eminem through the ups and downs of life. It provided constant comfort for her through the trials she faced with my father. I’ve had a deep love for music since my childhood and started attending concerts at a young age. During the pandemic, I began using my time to write about music, especially about 90s hip-hop music. I created a hip-hop music blog my freshman year, while living in New York. After creating my blog, I ended up getting more opportunities in music, and eventually, after working with a couple of independent labels and opportunities, I landed at Universal Music Group.”

PDLR: Can you tell us about your songwriting process and where you draw inspiration from for your music?

Taylor Contarino: “My musical process…I love making music! I could cry over how much I love it. It’s literally my outlet. I don’t see it as a thing I have to do but rather as a thing I get to do. Being able to take words and make them sound pretty or using my voice to say how I feel is the greatest thing ever!

Like yesterday, I was freaking out because I’m realizing that I’m graduating college in a month, and I’m going to have to become a big girl, you know, and I’m really scared about that. I’m going to have to be an adult. I’ve started writing how I feel about that. My creative process comes from moments like that, where it’s like I’m in the moment, and my emotionality takes over.

“It’s when I am at my breaking point that my music starts to evolve.”

That’s what I love about music; if I can’t turn to anything else or anyone else, I can always turn to my piano. I can always turn to Logic, like my software. I can always turn to my notes and write down how I’m feeling. It’s like I can turn my heartbreak into healing and my pain into beauty. Yeah, I sound like a poet, but I love that.

I also wrote a poetry book, which I released in the fall. Writing means a lot to me. Being able to express how I feel, letting it resonate with people, and making it sound beautiful means so much to me.”

PDLR: What do you enjoy most about playing in front of an audience?

Taylor Contarino: “Oh, I hate being in front of an audience. I’m crying because I love that you asked me that question, but I hate being in front of an audience. I have to force myself to get in front of an audience. I know that’s so weird, but it’s so scary. I’d rather be sitting in my room making music. But on the contrary, I know that it’s an important part of music. Performing is a part of being an artist. Every single time I perform, I’m getting stronger.

I have this thing where whenever something scares me, I force myself to do it. What’s the alternative? To hide from it my entire life? I’m a firm believer that if something scares you, you have to do it. Every time I get on stage, I’m conquering my fears, and I’m really just taking ownership of my body, words, voice, and the way I feel. I know that the more I perform, the better I’ll get at it. I don’t think practice makes perfect, but I do think practice makes progress.”

“Bare Minimum” Coming Soon

PDLR: Can you talk a little about your upcoming single, “Bare Minimum?”

Taylor Contarino: “Of course, I’m so excited! On April 19th I’m dropping ” Bare Minimum” part one, the single. It’s all part of a story from my last couple of months. The whole EP drops on April 26th, one week later from the release of the single. I purposely made it this way because I wanted part one to be a description of the things that I’ve been going through and the way I have been feeling. Part one, “Bare Minimum,” was written and made to be more emotional. Part two is going to be more of an anthem for healing and moving on, more of a motivating piece of music.

The whole EP intends to tell my lived experience and what I went through over the past couple of months with a relationship I used to be in. I’m really excited about the project and am so excited for the world to hear it. I’m just grateful to God. I can’t believe that I’m really putting an EP out because there was a time when I had given up on music for a long time.”

PDRL: What do you hope listeners take away from your music?

Taylor Contarino: “The only thing I ever wanted was for listeners to be heard, seen, and represented. That’s really all I have ever cared about. If people listen to my music, then that’s great. But for me, no matter what, I was able to use the creation process to heal through experiences the music refers to.

All the music that I make is real. The things that I’m saying actually happened. My mom never let me lie growing up. She always said, ” I would rather you say that you did something crazy than lie to me.” Growing up, if I went to a party, my mom would rather I call her and tell her I did something stupid than lie. My mom was heavy on the “Don’t lie to me,” just tell me how it is and be 100% honest.”

Future Collaborations and Music

PDLR: Are there any future projects or collaborations that you’re excited about?

Taylor Contarino: “Yes, I have so many. I’m so grateful! I’ve been working on so much music recently. I have four songs that I am currently working on and that I can’t wait to share with the world. I have a song called “God’s Business.” It’s a song about finding out that my grandpa has cancer. Sorry, not to get depressing, but we are working through it. There’s another song I’ve been working on with an incredible producer and talented bassist/guitarist called “Deadbeat.” It’s about my drug-addicted father.

Currently, I’m also working on a love song and another song about hating the club. I went two weeks ago, and I wrote a song called “I’m Over the Club.” I realized that I really don’t like going to the club. Why does it have to be so loud? I don’t know when I’m going to release these songs yet, but I’m very excited to share them with everyone.”

PDLR: Do you have any advice for aspiring musicians looking to break into the industry?

Taylor Contarino: “Of course! Don’t give up! If you never give up, you can never lose. My advice to anybody is to just keep going. I wish that I could have told myself this two years ago when I gave up on music; I wish someone were there to tell me not to give up. If you give up, what’s the alternative? What are you going to do? You’re going to be sad, and you’re going to regret it every day. Honestly, that’s how I was feeling. That’s why I continue to make music.

I also had a friend who sent me a long paragraph. Actually it was more like she wrote a book, basically, on why I should continue making music, which is the reason that I started doing it again. I love her, and she’s amazing! Her name is Rachel, and she’s one of my best friends. I am so grateful for her!

I would just tell people to keep going on their dreams because you never know when there’s going to be motion. You never know when you are going to succeed. Even if you don’t have a million streams, you are still a musician because you are making music. Don’t let the numbers, social media, or anyone tell you that you can’t do it. As long as something makes you happy, then keep doing it. Don’t be afraid to say how you feel.”

PDLR: How long have you been releasing music in general and professionally? 

Taylor Contarino: “Since my sophomore year of college, about two years ago. That’s around the time I also gave up on music because I felt like I wasn’t good enough. I felt scared of people reacting to my music and thinking I wasn’t good enough. That’s when I realized that it doesn’t matter if people think I’m good enough as long as I think I am. It’s about how I feel and how I perceive myself.

Once I changed my perspective, I was able to enjoy the artistic, creative process and the healing process. I am open to collaborations and working on art with other people. Everything I do is because of the love I have for the art.”


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Diving At Dawn

Diving At Dawn Shares Unreleased Song from 25 Years Ago

Diving At Dawn I Can't Love You Anymore

Indie folk artist Pete Hobbs of Diving At Dawn finds redemption in releasing a single dating 25 years back. Diving At Dawn’s latest single, “I Can’t Love You Anymore,” brings back a history of turmoil for Hobbs. The London-based singer was the frontman of the band User at the time this song came to life. The three-piece power pop band had the opportunity to record “I Can’t Love You Anymore” with The Stones Roses producer Paul Schroeder. Shortly after, a record deal came to fruition, and Abbey Roads Studios was booked. Unfortunately for User, everything came crashing down in a dramatic stream of events that prevented the band from being signed and recording.

Hobbs went on to find success with The Boy Least Likely To, an English indie pop duo formed in 2002. The group has been supported by BBC Radio and Pitchfork. Their songs were also featured in films and tv shows like Easy A and Grey’s Anatomy.

With his solo project, Diving At Dawn, Hobbs revamped “I Can’t Love You Anymore” from its original power pop state to a more intimate folk ballad. Sometimes, songs have a way of coming full circle, and this one took a little reminder from Pete’s mom to inspire a journey back in time.

“It’s very strange to go back and inhabit something you created 25 years ago; much more
emotional than I had anticipated. It’s almost impossible not to look back and wonder what my younger self, who had his whole career ahead of him…would
think of how it all unfolded. It’s a beautiful full-circle moment for me.”

“I Can’t Love You Anymore” Song Review

“I Can’t Love You Anymore” encapsulates the backstory of a song that has taken the toll of time. It is a timeless tale of love, rejection, and a broken heart that resonates with those young and old. The song initially captivates with its melodic feel and almost seems to have been in the world this whole time. “I Can’t Love You Anymore” brings familiar feelings of longing for something you missed but couldn’t quite recall what it was. The folk ballad style of the latest version suits Diving At Dawn’s quintessential melancholic soundscapes.

Through the push and pull of the end of a relationship, the song embodies dispair, loneliness, and glimmers of hope. Diving At Dawn brings instant emotional connection with vulnerable vocals and sorrowful lyrics. “And I know I’m never gonna see you again, and the way I’m feeling now I’m better off dead, I know I’m only happy when I’m falling apart…” Hobbs transitions into a much more uplifting chorus of realizing all will be okay and he will prevail.

If you’re a fan of Beck, Van Halen, Wings, or similar artists, be sure to press play on “I Can’t Love You Anymore” from Diving At Dawn. Other recommended tracks include “Playing Your Records,” as previously featured on our blog, and “Lying By Myself.”

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best emerging indie artists

Best Emerging Indie Artists: Summer 2023 Wrap-Up

Did you find your song of the summer? Do you have a list of your favorite albums of 2023 so far? Maybe you caught onto Del Water Gap if you watched The Summer I Turned Pretty. Or if you followed along with the New Music Friday trends, you probably checked out Olivia Rodrigo, The National, and Morgan Wallen. If you’re still searching for some of the best emerging indie artists of the year, stay tuned for a breakdown of new music discoveries. Our summer 2023 wrap-up will put some new artists on your radar as we head into spooky season.

best emerging indie artists

Best Emerging Indie Artists Summer 2023

Amanda Cross: Folk/Acoustic/Alt-Country

Amanda Cross’s music blends several genres, from folk to Americana, country, and rock. Her summer single “Desert Rose” has a haunting aspect that undoubtedly captures the atmosphere of the desert. The song comes to a powerful height, demonstrating Amanda’s vocal range and talent. “Desert Rose” sparks a similar feel to “The River” by Daisy Jones & The Six. Amanda Cross followed this single with “Tennesee,” a more stripped-down folk ballad.

ANI: Soul pop

ANI is a soul-pop artist whose music is pure, calming, and heartfelt. Her single, “Miss U,” is an easy-listening earworm and a perfect addition to any chill-out playlist. The bassline on this track drives the song but pauses for the listener to focus on the vocals and lyrics. The chorus is memorable and soothing as it echoes in your head. ANI most recently released “Waiting Game,” which features more of her soulful vocals and sultry sound.

Lucius Arthur: Pop/Rock/Punk

Lucius Arthur is a pop-rock/punk artist from the U.K. His summer single, “Bad Trip,” proved to be a success for his audience. “Bad Trip” creeps into your head and instantly has you singing along in an angsty way. The vocals are inviting and unique, calling upon fans of Måneskin or The Struts.

Lucius recently followed “Bad Trip” with “Scarlet Tears,” a 90s-inspired single with a guitar style similar to Radiohead. He shows an array of emotions in his voice and a wide vocal range to keep the atmosphere captivating. After hearing these tracks, fans should be enthralled with the surprises in Lucius Arthur’s music.

Luther Clayton: Folk/Acoustic/Pop

Luther Clayton is an emerging singer-songwriter from the U.K. His recent single, “It’s Amazing,” showcases his songwriting talent and acoustic influences. The slow-building progression of this song keeps listeners eager to hear the story unfold. Moreover, the lyrics are eloquently written and delivered by Luther’s unmistakable vocals. You can hear musical inspiration from Luther’s influences, Ben Howard, Bon Iver, and David Gray. “It’s Amazing” is a heartbreaking track with an unexpected yet relatable ending.

Elijah Delgado: Indie rock/Singer-songwriter

Elijah Delgado’s music is for fans of Gary Clark Jr., John Mayer, Young the Giant, or Paulo Nutini. His latest single, “Pipe Dream,” draws listeners in with a minimal introduction focusing on the vocals and lyrics. “Pipe Dream” has many layers that play to Delgado’s depth and ability to blend genres. The structure of this song continues to give as it builds to a culminating high.

Best Emerging Indie Artists Summer 2023

Del Water Gap: Indie pop

Del Water Gap (Samuel Holden Jaffe) is the most recognized artist on this list. His music became more prevalent with the second season of The Summer I Turned Pretty. His infectious singles, “All We Ever Do Is Talk,” “Losing You,” and “Coping On Unemployment” have infinite plays.

As a follow-up to his 2021 debut, Del Water Gap released his sophomore LP I Miss You Already + I Haven’t Left Yet. This album includes indie pop bops that will carry you into the end of the year. Standout tracks apart from the singles include “NFU” and “Glitter & Honey.” Del Water Gap’s second album is certainly gearing up to be a contender for AOTY.

Edgar Everyone: Electropop

Edgar Everyone is a French artist living in L.A. His most recent single, “Time is a nonlinear joke,” merges electronic, pop, dance, and funk. His style of music would resonate with fans of Tame Impala, Gorillaz, or Thundercat. “Time is a nonlinear joke” is psychedelic, melodic, and particularly transcendent. This track makes a great addition to any festival or concert pump-up playlist.

Cati Landry: Indie pop/Dream pop

Cati Landry is a Canadian singer-songwriter who fuses indie, alt, and dream pop sounds. Her latest track, “Mind’s Eye,” is undeniably memorable and melodic. The chorus flawlessly achieves the goal of being catchy within the first few seconds. The combination of romanticism alongside poetic lyrics encourages you to dig deeper. Cati’s vocals seem to float as they carry the atmosphere of this song. “Mind’s Eye” is full of dreamy melodies and longing expressions that will stick in your head.

LiketheAstronaut: Alternative

LiketheAstronaut is a new project from John Glenn of the band Stellar Young. Together with Dave Parker (Weerd Science producer), Josh Eppard (Coheed & Cambria drummer), and Kyle Hatch (Stellar Young guitarist), they released their debut EP. The EP, Moments Before, covers grief, new life, and reflection presented in an organic blend of soundscapes.

“A Part” is the lead single from this project, which holds a scope of deeper emotions masked by upbeat elements. “Slumber Still” is a favorite from the EP that pulls in every direction of life when you explore the lyrics. “Slumber Still” has layers of despair, vulnerability, and hope. The contrast of the ethereal instrumentals and significantly personal lyrics will have you listening repeatedly.

PRIMOVERE: Indie pop/Altnernative

PRIMOVERE is an 8-piece Italian group that combines influences of indie pop, post-rock, new wave, and classical music. Their two most recent singles, “Funeral” and “Dopamine,” both hit with an abundance of emotions.

On “Funeral,” a glimpse of hope shines in the chorus of a mostly subdued and melancholic track. The song starts soft and focused, gradually building to a more amplified sound. The feelings of “Funeral” pierce the audience both musically and lyrically. “Dopamine” follows a similar suit, with flawless vocals and a clearly communicated message. The style of PRIMOVERE echoes the likes of The National with their ability to evoke a goosebump feeling from a ‘never-before-heard’ song.


Other best emerging indie artists of the summer include Holly Humberstone, Babe Rainbow, Shak SYrn, Anthony Ortiz, Nation of Language, and Cannons. All of these artists and more are featured in a selection of playlists below.

BEST EMERGING INDIE ARTISTS PLAYLISTS

NEW MUSIC EMERGING NOW

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WOMEN TO WATCH: EMERGING FEMALE ARTISTS

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Ryan Hommel Daisy Jones

Daisy Jones Music Director, Ryan Hommel, Releases First Album in 8 Years

For the past two and a half years, Ryan Hommel worked alongside the cast of Daisy Jones & The Six as the guitar/bass coach and Music Director. Yes, that means he taught cast members like Sam Claflin and Riley Keough to play guitar and become a band in the hit series for Amazon Prime Video. Through the ups and downs of the pandemic and the steadfast dedication of the production team and cast, Daisy Jones & The Six came to life in 2023.

Ryan Hommel, a Massachusetts-based guitar player, songwriter, and singer, recently released his first album since 2015. Default To Open is the second full-length album from Ryan, dating back to 2016 when he recorded these songs. The lead singles from this album showcase his raw talent and knack for penning songs that resonate with a wide range of music fans. Gaining insight into the stories behind these songs makes the album all the more intriguing to hear them after eight years.

We had the pleasure of chatting with Ryan Hommel to learn more about this collection of songs. In the past eight years, Ryan welcomed a lot of changes. Of course, the pandemic delayed the filming of Daisy Jones & the Six, but the time spent with the cast solidified his journey as Music Director. After touring with Amos Lee’s band as a guitar and pedal steel player, Ryan welcomed a baby girl earlier this year. Going from uncertainty to fatherhood has led Ryan to new endeavors, beginning with the release of Default To Open.

Ryan Hommel Daisy Jones

Ryan Hommel Interview

POETRY DANS LA RUE: You seem to be all over recently with Daisy Jones & The Six, your music, and your family. What’s the backstory to where you are now?

Ryan Hommel: “I’m originally from Massachusetts. My wife and I met here and decided to move to L.A. together. We lived in L.A. for about four years, which included the time during the pandemic, then we moved back to Massachusetts when we found out we were expecting a baby. Now we have a five-month-old daughter.”

PDLR: So I saw your album, Default To Open, was recorded in Nashville. Can you talk about that time in your life?

Ryan Hommel: “We recorded the album almost entirely in Nashville at Blackbird Studio. I used to drive a lot from Massachusetts to Nashville. I wanted to absorb the world of country music that I didn’t grow up in. Being surrounded by that community, I became passionate about playing pedal steel and met many people in the music industry.”

Behind Default To Open

PDLR: You recently released “Bury Me” and “All the Time in the World” as the first two singles. Can you talk about why you led the album with those songs?

Ryan Hommel: “When I listened to the whole record, those songs popped out to me as singable. I love songs that you can immediately sing along to. It makes listeners feel the song is familiar and they’ve known it forever. I’m not saying these songs achieved that necessarily, but most of the record doesn’t come close to doing that. Some other songs are more exploratory, longer, and experimental in songwriting. “Bury Me” and “All the Time in the World” felt like a good way to introduce the record to new ears.”

PDLR: I’ve had more time with the singles, of course, than the other tracks, but I do agree. “Bury Me” has been in my head a lot. It is singable and maybe more melodic, which people can easily pick up on. I also picked out “Wide Open” from the other songs, which was a little longer. It was more in-depth, and I liked the direction it went.

Ryan Hommel: “That’s great to hear because “Wide Open” is the first song I ever wrote. Default To Open is made of songs like that. It was my first experience putting these songs together from different times. Default To Open has been finished for eight years, since 2016. It almost feels like a compilation album, putting pieces of my writing together but only from a decade ago and earlier. The most recently written song on the record is the last track, “Brent Song.” I wrote this as a friend of mine passed away eight years ago. So the album comprises pieces of my life from before until 2016.”

“From an archiving standpoint and gaining a new perspective with my daughter being born, it matters that these songs are out there.”

Ryan Hommel: “I’m glad you responded to “Wide Open.” It feels surreal to me that that song will be in the world. From an archiving standpoint and having a new perspective with my daughter being born, it matters that these songs are out there. It’s also cathartic and rewarding to know that my daughter will be able to find that.

Sitting on these songs and having more time to reflect gave me an extended perspective. I feel more lighthearted about the record and less attached to it as a whole, but it’s a point in time that paints one picture.

I’ve done a lot of touring and come across so many songwriters. I’ve had more time to absorb how artists perform, interact, and adapt. You can interact with your art in many ways, and people will find their meaning once it’s out there. Art and music breathe new life into other people, and they breathe new life back into it.”

PDLR: Do you have a specific song that was the most rewarding to write or that you hit exactly what you were trying to convey?

Ryan Hommel: “I think “Wide Open” came out exactly how that song should be presented. Even if I’m unsure what that means, I’ve never felt that after recording a song. “Wide Open,” “Bury Me,” and “All the Time in the World” were songs that I recorded by setting up a guitar and vocal with a drummer in another booth at Blackbird.

All of the vocals on this record are primarily live, with the main guitar layer and the drums. Filling in the blanks with bass, other guitar parts, pedal steel, and keyboard was rewarding. It was me supplementing the barebones tracks we had from the recordings. I felt proud of “Wide Open” from the initial performance and what it was after we finalized the production.

In the song “Same Side,” the album’s third single, I played everything from top to bottom. “Same Side” occurred at my friend Ryan Ordway’s studio in New Hampshire. I went in with this song and planned to record it in a day. I started with an acoustic guitar and a vocal and added drums, bass, some other guitars, and pedal steel. Going in with a blank canvas like that and sitting back and listening after a day is a satisfying feeling.”

Musical Influences

PDLR: Who were some of your musical influences growing up, or who inspires you in your music?

Ryan Hommel: “My dad introduced me to a lot of guitar-based music as a young teenager. He was trying to get me out of my Stevie Ray Vaughan fixation at that age. He bought me a Steely Dan, a Jeff Beck, and a Robben Ford record. The guitar playing was nothing like what I was listening to at the time. My dad tried to show me that while Stevie Ray was excellent, there was another world of guitar players.

Before that, the music in my house was Stevie Wonder, Aretha, and Elvis Presley. Those were my first music memories, along with Ray Charles, Jimi Hendrix, Buddy Holly, and Howlin’ Wolf. My favorite current band has been Dawes. They are my gold standard in writing, performing, playing, and overall class and evolution.”

Daisy Jones & The Six

PDLR: How did you come into your role with the Daisy Jones series, and what was it like working with the cast?

Ryan Hommel: “So when my wife and I moved to L.A. at the end of 2019, I got a call from Tony Berg. He is an incredible producer and one of my producer heroes (Andrew Bird, Phoebe Bridgers, boygenius). I met him the year before, and he kept telling me to move to L.A. When we decided to move, he called me and said he had a two-month gig to teach guitar and bass to a handful of actors. The actors would come together and make this fictional band known as Daisy Jones & The Six from the book by Taylor Jenkins Reid.

At the time, Blake Mills and Tony Berg were running Sound City Studios in L.A., where many iconic artists have recorded. The show signed Tony as the Music Consultant for Daisy Jones & The Six and Blake Mills as the Executive Music Producer. Blake Mills wrote or co-wrote and produced all of the music for the soundtrack (alongside collaborators Tony Berg, Phoebe Bridgers, Taylor Goldsmith, Marcus Mumford, and Chris Weisman, among others). A huge bonus was the proximity to and the use of Sound City. The reality of the songwriting process and location mimicked the book’s storyline. So, plugging this fictional band into that time period and space was so surreal.

“The initial call was to have Daisy Jones & The Six be a fully functional band. If you put them on stage, they should be able to play this music flawlessly.”

I was set up across the street with Frankie Pine, the Music Supervisor, and a handful of other music coaches (drums, keyboard, vocal). We were working with the cast across the parking lot from Sound City. I was teaching Riley Keough (Daisy Jones), Will Harrison (Graham Dunne), and Josh Whitehouse (Eddie Roundtree) at the time, which was January 2020. Sam Claflin (Billy Dunne) came in around when everything shifted because of the pandemic.

They kept us remotely working on Zoom to keep the band learning. The cast members needed help learning their instruments and focusing on their characters’ roles, so most of that was done individually. Because I had been doing that, working with them collectively as a band made sense. So that’s how I fell into the role of Music Director for them as a band. Enter Suki Waterhouse (Karen Sirko) and Sebastian Chacon (Warren Rhodes), and we had Daisy Jones & The Six.”

Ryan Hommel Daisy Jones
Ryan working with Riley Keough (Daisy Jones)

“The initial call was to have them be a fully functional band even though they will be miming to recordings on the set. If you put them on a stage, they should be able to play this music flawlessly. That was a tall order, but everyone did their best and committed to the role.

Before we finally started shooting after the delay, we gathered the band at SIR in Hollywood for a private showcase. The showcase included everyone involved in making the show, like Taylor Jenkins Reid (book author), the Hello Sunshine media crew, Scott & Lauren Neustadter (creator), Reese Witherspoon (executive producer), Amazon, all the music crew, and more. It was particularly humbling to be a part of something that massive.

They absolutely achieved their goal, and they played the songs. They pretty much played the AURORA record front to back. Nabiyah Be (Simone) sang “A Song For You.” It was remarkable to see it pay off after keeping it going for so much longer than expected. They can all play and sing and have a natural chemistry that you can feel in the room.

My role transitioned into being on set with them whenever music was on camera. It was such a thrill to be there and coach them through those scenes. They were driven, motivated, and dedicated to learning to play music together, which certainly shows.”

PDLR: That’s incredible to hear your perspective. When reading a book, you envision how it will look. But then there was the uncertainty of not knowing if the show would happen or when. So when you hear it from you, it’s cool to see they came together as a band and learned it. You can see the realness in the show and the chemistry that you mention.

Daisy Jones Ryan Hommel

Looking Ahead For Ryan Hommel

PDLR: What’s next for you after the release of Default To Open?

Ryan Hommel: “The last record I put out was in 2015, and I began writing Default To Open around the same time. Of course, all these years have passed, and life has changed significantly. I’ve taken myself off the road to be with family and raise my daughter with my wife. I want to be present.

Releasing this record is putting me back in the game of how the industry works today. I’ve aided many people or worked on other records as a producer but haven’t put myself out there in a long time. I thank Greg Hall for running the backend of the album release and managing this campaign.

We hope that this album sets me up for future releases. I’ve already started working on the next record, which is more rooted in my life now, becoming a father and what family has come to mean. I enjoy getting the word out there and connecting with people in the music industry.

Ryan Hommel Ghost Hit Recording
Ghost Hit Recording Future Home of the 1 to 1 Sessions

After releasing this record, I’m starting a new live in-studio video series. It’s something similar to Daytrotter or Audiotree. This project would be about working with new artists that I usually wouldn’t have the chance to, but they are coming through town on tour or local to this area.

The idea is to bring them to Ghost Hit Recording studio in West Springfield, MA, where I often work. The studio was built into this church from 1800, and the live room is the sanctuary with the original pipe organ. It’s just a place where you feel especially compelled to make music. I’d love to bring in artists as a stop on their tour and cut some live footage, very minimally mic’ed. It’s going to be called the 1:1 Sessions. It’ll be a YouTube channel and a website.”


Be sure to check out Default To Open, available on all streaming platforms. Keep up with Ryan’s endeavors on social media and follow the 1:1 Sessions on Instagram and YouTube.

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"Big Eyes" by Gold Record

“Big Eyes” by Gold Record Emulates Beautiful Melodies & Desert Vibes

California experimental pop band Gold Record recently released the heartfelt single “Big Eyes.” This melodic track will appear on the band’s upcoming full-length album, Desert Soul, set for release in October. “Big Eyes” is a lyrically thought-provoking ballad penned by songwriter Noah Clark. The track is mixed and produced by Nicolas Vernhes, known for his work with Dirty Projectors, Animal Collective, and The War on Drugs. Gold Record creates peaceful yet vibrant soundscapes with this summer single.

Pulling from local inspiration, the band set out to record this project around Joshua Tree National Park in the Mojave Desert. “Big Eyes” whispers evocative lyrics like, “You’re talking like you’d run this bar here better. The scent of the ink from old love letters lingers like the scars from times you’d met her…when the chords you borrowed were the only ones she liked.”

Gold Record Big Eyes

Our Review of “Big Eyes” by Gold Record

For fans of Dirty Projectors, Tame Impala, Passion Pit, or LCD Soundsystem

The downtempo style of “Big Eyes” perfectly suits this heartfelt ballad. The atmosphere of the chorus allows the listener to reflect on the story while consuming soul-stirring melodies. Lyrically, the track hits the scope of the emotions that Noah Clark is sharing. “Big Eyes” is a nice contrast to some of Gold Record’s previous singles. Furthermore, this song shows the depth Gold Record has to offer as songwriters, performers, and recording artists.

If you’re looking for some chill-out desert vibe tracks, you will appreciate the laidback style and grooves of Gold Record. Songs like “Big Eyes,” “The Groove Infinite,” and “Azalea Charms” capture the feeling of the desert heat and palm trees waving. Kick back and meditate to these breezy and transcendent tunes for the end of summer.

Check out the “Big Eyes” music video below and be on the lookout for the band’s full-length album, Desert Soul, coming October 2023.

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Emerging Female Artists

Emerging Indie Female Artists Summer 2023

It’s no secret that more and more women are dominating the music industry and finding unique ways to get their voices heard. This month, we’ve received countless buzz-worthy submissions from emerging indie female artists all over the globe. This post highlights some phenomenal women to watch for the summer in the independent music scene.

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Emerging Indie Female Artists

Emerging Indie Female Artists

ALBA

ALBA is a French pop artist who released her most recent EP, Le bon sens, on July 5th. Her polarizing two-single project, “Oh! Chéri !” and “Oui chérie ?” shows a relationship from both sides (chéri/chérie) with two different production styles.

The first, “Oh! Chéri !” depicts a frustrated partner singing, “dis-moi pourquoi avec toi, c’est toujours comme ça ? Les promesses vaines, ta mauvaise foi* !” While the visual is in color, the song stays in a melancholic realm of doubt, unanswered questions, and exasperation. In contrast, “Oui chérie ?” is a more upbeat, synth-pop track responding to all the questions. “J’ai jamais menti. Je vois bien le problème, mais moi, j’ai rien promis**.” ALBA portrays this “couldn’t care less” side of the story in a black & white video accompanied by violins and a Latin influence.

*Tell me why it’s always the same with you? Your vain promises and bad faith.

**I never lied. I can see the problem, but I didn’t promise anything.

Amelie Lucille

Emerging Indie Female Artists

Amelie Lucille’s latest single, “Mess,” will have you questioning whether you are listening to Billie Eilish, Nina Nesbitt, or Olivia Rodrigo. The NYC indie-folk artist released her self-titled debut EP on June 15th. At the young age of 14, she already sets herself apart with her classic influences ranging from Björk to Lana Del Rey. Her pure vocals and tone highlight her “old soul” mentality. “Mess” is one of seven tracks on her EP. The single is well-polished, exquisitely written, and perfectly delivered. Within seconds of listening to this track, you won’t believe your ears. Furthermore, Amelie Lucille emulates raw talent and poise and is undoubtedly an artist to watch in the indie scene.

Ferielle

Emerging Indie Female Artists

Parisian pop artist Ferielle shares singles “JAMAIS” and “JETER UN SORT” on her debut EP l’eau qui dort. Her voice is sublime and rich, often compared to the likes of Maggie Rogers or King Princess in her musical style. You may recognize her 2022 single, “dis-moi on où va,” from season 3 of Emily in Paris. Her voice is undoubtedly recognizable, soft, and ethereal. The catchy melodies in “dis-moi où on va” and “JAMAIS” linger in your head, even if you don’t speak French. Her music transports you to a lighthearted rom-com movie you idolized in the 90s.

Hello Sister

Emerging Indie Female Artists

Pop-punk sister trio, Hello Sister, is on a kick to follow the path of the Jonas Brothers but in the musical style of Avril Lavigne or Paramore. The Orlando, Florida sisters previously appeared on America’s Got Talent in 2021. This year, the pop-rock teens shared a catalog of singles, including “Invisible Girl,” “Lately,” “Things You Never Said,” and “tragic.” “Invisible Girl” shows a softer, more emotional side to the group, while “Lately” brings on Avril-esque teenage angst. Their songs are incredibly catchy and memorable, staying with you even after one listen. The lyrics relate to teenagers going through similar growing pains in relationships, friendships, life, and love. Above all, Hello Sister demonstrates a knack for blending genres with their charismatic flair.

Kaÿcie

Kaÿcie is a Franco-American artist born in France known for her folk/pop indie style. Her single, “MOON,” is an innovative blend of indie, pop, folk, and acoustic styles. A haunting twangy guitar rings out in the introduction, encouraging the listener to stay alert. Kaÿcie’s folky vocals lure you in and draw you to the chorus, encompassed by rock-esque guitars as it builds. It’s alluring, earthy, serene, and thought-provoking.

Her recent single, “Young Hearts,” showcases her superb vocal ability, soft indie folk style, and poetic lyricism. The chorus soars over a harmony of “My young heart is old, for my love is bold, and your fire’s beauty to behold.” Kaÿcie’s songwriting shines brightly on this track as she uses imagery to describe how her youth has dwindled, revealing an older, wiser, more poised version of herself in love.

Micaela Kleinsmith

Micaela Kleinsmith is a South African country artist and the first winner of the Apple TV+ series My Kind of Country. The series, executive produced by Reese Witherspoon and Kacey Musgraves, features coaches from the country music scene. Orville Peck scouted and coached Micaela on the show, leading her to victory. Micaela dazzled her audience with hit singles like “If I Die Young,” “Need You Now,” and “Good Kisser.” The soulful artist shared her original songs “Stupid Love” and “Butterfly” while on the show.

Micaela’s recent EP Butterfly includes her most popular single, “Raise This Cup,” a dance-worthy country drinking song. In contrast, a softer side reflects in her latest release, “Over You,” with Rudi Simon & Marcel Aquila. “Over You” spotlights her rich vocals on a surprising dance track showing her depth outside of the country music world.

Naya

Emerging Indie Female Singers

French singer-songwriter Naya shared her single, “vaguémo,” a melancholic dream-pop tune. The gloomy lyrics create a somber and sorrowful atmosphere around her mesmerizing vocals. Her voice is unique and memorable after a few seconds, setting her apart from many artists in this genre. The chorus draws listeners into a trancelike state as her voice rings out, “comme une tempête qui souffle dans ta tête, et tout le flot, tout le flot de cette vague émo*.”

Naya’s hypnotic vocals and distinctive style put her in line with the likes of Holly Humberstone, Gracie Abrams, and Beach House. Most recently, Naya opened for The 1975 at the gorgeous L’Olympia music hall in Paris.

*Like a storm blowing in your head, and all the flood, all the flood of this emo wave.

Sarah Lake

Emerging Indie Female Artists

Nashville country artist and former American Idol top 20 contestant, Sarah Lake, has had success lately with her single, “Good to Be Gone.” She released two versions of the track; a radio single and an acoustic version. Sarah co-wrote “Good to Be Gone” with Songland finalist Alyssa Newton. The song is produced by her husband and Grammy Nominated producer Ernie Lake. Sarah’s voice sounds flawless in this summer breakup track, especially on the acoustic version. The lyrics and storytelling aspect put you directly into the singer’s shoes. “Good to Be Gone” is an immediate earworm stuck in your head for days.

Sarah recently released a collaborative single with Lucas Grabeel entitled “Back to You.” She follows this with her brand-new track, “To Alabama,” a love song to Alabama, a peaceful place to escape. The single is a writing collaboration with the Nashville country rock group Everette.

tiger del flor

Emerging Indie Female Musicians

Emerging indie pop artist tiger del flor drops an ‘in-your-face’ grunge-inspired single, “shut up and kiss me!” You may recognize the singer from the popular reality series Love Island, USA (Season 4). Del flor makes a bang with “shut up and kiss me!” combining pop, punk, and grunge elements. She pays homage to fellow Seattle legends Nirvana, Hole, and Mudhoney, some of the groups she grew up listening to. “Shut up and kiss me!” is melodic, edgy, seductive, and nostalgic; it creeps into your ears and echos in your brain. tiger del flor is gearing up to release her debut EP see me in hell.

Discover these incredible Emerging Indie Female Artists and so many others on our “New Music Emerging Now” playlists for the season.

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New Music Spring

New Music Emerging Now: Spring Fever

If you want to catch up on the best new music releases this spring, look no further than our New Music Emerging Now: Spring Fever playlists. As always, this past season has unlimited music to discover from your favorite indie, pop, singer-songwriter, and alternative artists. Strong album releases came this month from Ed Sheeran, The National, and Joy Oladokun. Hot new spring singles included drops from Babe Rainbow, The Japanese House, Anderson Hao, and Diving at Dawn. Take a deep dive into our New Music Spring playlists below as the holiday weekend kicks off into summer.

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new music emerging now spring

New Music Emerging Now // Spring Albums & EPs

Ed Sheeran--Subtract // Singer-songwriter

Ed Sheeran shares an emotional diary of personal turmoil in relationships and professional life on -Subtract. The preliminary concept of Subtract was always acoustic and stripped down, but recent events in his private life tragically lined up with the theme. Sheeran sought instrumentals from Aaron Dessner of The National to channel some of Subtract’s more profound, intimate moments. Sheeran processes the loss of best friend Jamal Edwards and touches on grief, depression, and uncertainty. He pens his deepest, darkest songs with “Salt Water,” “Sycamore,” and “Borderline.” “Life Goes On” relates to grieving the loss of his friend while the world spins on with the daily grind.

In contrast, “Dusty” is the perfect parent-child track about listening to records and being carefree in a moment of childhood innocence. The song is squeezed between heavier tracks, bringing sunshine as Sheeran recounts a shared morning ritual with his oldest daughter. Subtract lulls to a close with a Celtic-inspired tune, “The Hills of Aberfeldy,” written with Foy Vance, to give a solemn and yearning end to a primarily heartbreaking album.

Joy Oladokun-Proof of Life // Singer-songwriter/Folk

Joy Oladokun delivers Proof of Life, a stepping-out for the upcoming artist. The album sends an uplifting message to those going through “Changes,” trying to remain hopeful and working on self-improvement. Standout tracks that convey the message of the album include “Taking Things For Granted,” “Somebody Like Me,” and “Trying.” On these tracks, Oladokun longs for acceptance and understanding while challenging herself to be unbothered by opinions.

The range of artists on this album flaunts Oladokun’s genre-crossing flair. The Nashville-local singer is opening for Noah Kahan on his headlining tour, who is featured on “We’re All Gonna Die.” Other emotive collaborations on Proof of Life feature Mt. Joy, Chris Stapleton, Manchester Orchestra, and Maxo Kream. “Sweet Symphony” ft. Chris Stapleton accentuates the soulfulness of the two artists’ voices. Proof of Life is soul-searching, eloquent, and introspective, often sounding like pages of a musical diary.

The National-First Two Pages of Frankenstein // Alternative

Excerpt by Kate Freeman@what.kate.listens.to

The National’s most recent LP almost didn’t happen. Twins Aaron and Bryce Dessner crafted their signature undulating instrumental pieces, while lead singer Matt Berninger struggled to pen lyrics due to depression and writer’s block. Thankfully, two things helped spark Berninger’s return to form: his wife and lyric collaborator Carin Besser using the phrase “your mind is not your friend;” and picking up a copy of Frankenstein from the bookshelf. The lonely, desolate setting of the book’s opening felt relatable at the time. It was an appropriate starting point for the characteristically melancholy band’s ninth album. 

First Two Pages of Frankenstein sees The National shed their earlier angular guitar sounds and harshness in favor of more delicate tracks, perfect for their vulnerable yet wry lyrics. The album is arguably their heaviest emotionally, but to counteract this, it is also their shortest in over ten years. In the standout lead single, “Tropic Morning News,” Berninger proclaims, “There’s nothing stopping me now from saying all of the painful parts out loud.” 

The album features three collabs that are any indie fan’s dream – Sufjan Stevens, Phoebe Bridgers, and Taylor Swift. The most notable, “The Alcott” with Swift, earns her a writing credit and gives fans another heart-wrenching duet following “Coney Island” from evermore.

Frankenstein is relatable yet elusive, with glimpses of joy between waves of sorrow. Perhaps the exception is closer “Send For Me,” where Berninger stops looking inward and offers sincere kindness—a hopeful close to the album and the beginning of a new chapter for our favorite sad dad band.

New Music Emerging Now // Spring Discoveries

Anderson Hao “GET a GRIP” // Acoustic/Pop

Anderson Hao is gearing up to release her debut EP featuring recent singles “GET a GRIP” (ft. Lance Redeker) and “SECOND RATE.” The artist’s soft vocals and poignant lyrics are similar to the style of beabadoobee, Gracie Abrams, or Olivia Rodrigo. Hao’s simplistic tone on “GET a GRIP” instantly lures listeners with, “You’ve got your guard up, I’ve got this nagging feeling, so I hide my neck for two weeks. The track weaves in subtle elements as Lance’s voice accentuates but never overpowers Anderson’s. It culminates to a sonic height with the duality of vocals and instrumentation at the end. Anderson’s knack for candid and straightforward songwriting radiates in every song she has released. Be on the lookout for her EP, What a Hard Winter, on May 31st.

Babe Rainbow “Super Ego” // Psych-pop

Australian band Babe Rainbow recently took the stage at Shaky Knees Fest in Atlanta with their newest single, “Super Ego.” The four-piece band is known for their signature throwback sounds, which dominate “Super Ego” as the stellar production drifts listeners into a daze. “Super Ego” brings all the psychedelic vibes similar to a 60’s chill jam. One line even brings to mind Steve Miller Band’s iconic “Fly Like An Eagle” as the vocals soar over “and we were looking back through your computer.” Stay tuned for their upcoming EP, Fresh As A Head of Lettuce, set for release on June 16th.

Christian James, Laith, & Annalee Beck “Useless” // Alternative

Raleigh artist Christian James drops a collab track with Annalee Beck and local NC producer Laith. The upbeat style and carefree production are juxtaposed with the melancholy lyrics of being “Useless.” “Useless” embodies waves of ocean tides in the introduction, seemingly washing away spring and kicking off summer. “Nothing sounds right / I was slow dancing on the white rug, spillin’ wine / I love the fact that I am useless,” Christian repeats each word perfectly on the beat.

Diving at Dawn “Playing Your Records” // Alternative

Diving at Dawn, the solo project of Pete Hobbs from The Boy Least Likely To, goes on a sentimental flashback of experiencing music on vinyl for the first time. Hobbs paints a vivid image of exploring his father’s record collection as a kid and creating a core memory of spinning vinyl. This track is a must-hear for any record collector who loves the crackle of an old LP. “Playing Your Records” has similar vocals to Beck on “Stratosphere” and a melange of music Hobbs grew up listening to (Pink Floyd, George Harrison, Wings). Some songs were meant to be pressed on vinyl, and this one emulates that exact notion.

Dylan Kelley “Wherever You Are” // Country

Breakup songs have existed for ages but always seem vindictive, overly emotional, or often cliché. Dylan Kelley’s new single “Wherever You Are” is an ode to an ex, wishing them well in whatever journey they pursue after the relationship ends. Dylan’s storytelling on this track is spot on and sends the message softly but clearly in the most endearing way. Country music fans will want to put “Wherever You Are” on repeat and, for once, look back fondly on an old flame.

The Japanese House “Sad to Breathe” & “Sunshine Baby” // Pop

The Japanese House, solo artist Amber Bain of Dirty Hit, returns with sensational singles “Sad to Breathe” and “Sunshine Baby.” The debut single, “Boyhood,” from her upcoming album, In the End It Always Does, marked her first release since 2020. “Sad to Breathe” is an acoustic, more stripped-back style single that accentuates her pure vocals. The lyrics cut deep on processing the end of a relationship, “I go to bed, and I’m cryin, ’cause it’s sad to breathe the air when you’re not there.” George Daniel, drummer of The 1975, adds his magic to the production with the signature chimes of piano similar to The Birthday Party or The Man Who Married a Robot.

“Sunshine Baby” captures the bittersweet qualities of a relationship when you don’t want a good thing to end. “Putting off the end, ’cause in the end it always does,” is contrasted by “sitting in the backseat, driving with my sunshine baby.” Amber’s voice and diction on this track embody her feelings. Matty Healy’s backing vocals and a smooth sax solo brighten up the song like a warm spring day. In the End It Always Does is set for release on June 30th.

Lost Hearts “Night to Remember” // Rock

Lost Hearts brings pop-rock back to the forefront of the country-dominated city of Nashville. “Night to Remember” is a classic, catchy, live anthem. The lyrics on this single give listeners a glimpse of the mid-2000s. The simple concept of pining for someone that you can’t have rings out in a universal and memorable chorus. Lost Hearts have what it takes to command a stage and be the next big addition to rock tours around the US.


As May nears a close, we are still playing catch-up with new music this spring. Discover everything you see here and more on our New Music Emerging Now // Spring Fever playlists.

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New Music March

New Music March Moods Playlists

The music of March seemed endless as new albums arrived from Daisy Jones & the Six, Fall Out Boy, Miley Cyrus, and boygenius. Other notable news in the music scene came from Hozier, The Japanese House, and Ed Sheeran. This month, we dove into several mainstream albums, explored albums from new emerging artists, and spiced up our playlists with eclectic tunes from around the globe. Our “New Music Emerging Now: March Moods” playlists cover everything from R&B to Singer/Songwriter and French Pop to Alternative. A few new favorite discoveries include Blak Emoji, Eremos, Taali, and Annael. Explore all of these artists and more in our New Music March playlists below.

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New Music March

New Music: March Albums & EPs

boygenius-the record //

Julien Baker, Phoebe Bridgers, and Lucy Dacus start their debut album as boygenius with two sonically polarizing tracks. “Without You Without Them” is a minimalistic harmonic vocal intro showcasing the three women’s raw voices. The album, entitled the record, leads into “$20” with boisterous guitars and an emotional climbing crescendo. As listeners weave through the group’s three artistic styles combined into one entity, they revel in the push and pull of rock-driven tunes and stripped-back hushed desires. Other highlights of the record include the guitar-driven “Satanist” opening with Baker’s edgy vocals followed by “We’re In Love,” which holds a nod to Taylor Swift’s “This Love.” Every song on the twelve-track LP coalesces as perfectly together as the voices of the supergroup. Rolling Stone, DIY, NME, and Dork all boast 5-star reviews for the 2023 debut from boygenius.

Daisy Jones & The Six-AURORA //

Daisy Jones & The Six is an interview-style novel by Taylor Jenkins Reid. The music-centered story, influenced partly by Fleetwood Mac, can also be compared to the film Almost Famous for music lovers. Daisy Jones & The Six finally comes to life with the Amazon Prime Video series starring Riley Keough and Sam Clafin. As the series unfolds, the songs on its soundtrack, AURORA, build emotional credibility and exposure. While this album may never touch the 70s classics, AURORA becomes a modern-day nostalgic masterpiece of its own. Songs like “More Fun to Miss,” “Look At Us Now,” and “The River” combine elements of longing, feminine influence, timeless 70s-sounding guitars, and band member banter. If this album hasn’t struck a chord with you, watch the series to see how each song unfolds and comes to life.

Fall Out Boy-So Much (For) Stardust //

Fall Out Boy returns with their eighth studio album, So Much (For) Stardust. The thirteen-track album may not emulate the angst of “A Little Less Sixteen Candles…” à la From Under the Cork Tree, but the Chicagoan band cohesively and succinctly generates a modern millennial gem. Leading with two stadium-charged singles led fans to believe this album was a return to form of sorts to earlier FOB days. So Much (For) Stardust does not disappoint, combining elements from their sound over the past two decades. The band delivers dance-worthy anthems, witty lyrics, and vibrant pop-rock tracks. Anyone who strayed from the Fall Out Boy path seems lured back under their spell for “Heaven, Iowa,” “Fake Out,” and “What A Time To Be Alive.”

Taali-taali //

Grammy-nominated singer/songwriter Taali soars high with her self-titled record this month. Taali, a veteran songsmith, took upon the challenge of crafting an album with the idea of removing autobiographical anecdotes. The album leads off with an instrumental strings piece, “Did We Die?” straight into “When the Dust Settles,” a minimal piano and vocal track that builds midway with a sense of urgency. Taali’s artistry shines through on the poppier floaty number “Anywhere” as she uses her voice to let the notes take flight. “Somewhere over Kansas” swoons listeners with stacked vocals, while “It Comes for You” adds an edgier side to the album with a poignant keyboard melody. Lyrically, the album explores “grief, wanderlust, self-discovery, and empowerment.” Taali exudes artistic flair and cohesiveness. This album is one for the decades.

Violaine-Rose Rouge-EP //

Chanson française artist Violaine discloses a lyrical journey on her recent Rose Rouge EP. “Toute Petite” is a soft, heartfelt ballad about dealing with negative self-dialogue. Her poetic French lines roll off the tongue on “Juillet” with lyrics like “de nos errances, ivresses dense, je n’ai pas de regret…même si mon cœur n’est pas étanche, je veux rêver…” The second half of the EP picks up with “Oxygène,” a poppy confession of love, and the seductive closing track, “La Partie.” “La Partie” combines infectious beats with Violaine’s sultry vocals, leading to a satisfying instrumental fadeout.

New Music: March Discoveries

Annael “J’accuse” //

French pop singer Annael caught us off guard with his self-aware single “J’accuse.” On “J’accuse,” Annael blends genres with elements of dance and pop and a stylistic aura similar to the likes of Stromae. The diction and elocution of this song are beautifully executed. “J’accuse” creates a sonic loop of transcending sounds that echo a summer music festival. The track digs deeper, however, on self-criticism as Annael shares on Instagram, “Chaque personne à un côté sombre qu’elle doit apprivoiser. C’est un challenge au quotidien, de vivre avec ses défauts et d’y faire face*.”
*Every person has a dark side that they have to tame. It’s an everyday challenge to live with your faults and to face them.

Blak Emoji “Last Night Lost” //

Electro-R&B artist and producer Blak Emoji hypnotizes fans with the remastered single “Last Night Lost.” The vibrating electro beats meshed with luscious falsetto vocals immediately grasp and enthrall listeners. Seductive lyrics creep into your head and resonate with the catchy beats and chorus. “Last Night Lost” is a sweet addition to any going-out playlist.

Caroline Larke “Horses” //

Caroline Larke introduces us to her single “Horses,” and we fell for every detail in this song. “Horses” is a stunner on the first listen, with vocals soaring over open space. The track’s lyricism, delivery, and musical progression resound with perfect execution. The folk-style acoustic song paints a picture of serenity and loyalty. Stylistic decisions on vocal elocution echo Billie Eilish in “When the Party’s Over.” “Horses” invites you to channel your inner zen and surrender to your full potential.

Christine and the Queens “To be honest” //

Christine and the Queens announced “To be honest” as the first single off his upcoming album, PARANOIA, ANGELS, TRUE LOVE. “To be honest” is yet another masterful melange of sounds surrounded by the striking vocals of Christine and the Queens. The ever-present combination of mixing French and English lyrics and creating transcending sounds prevails in this lead single. The three-part LP is due out on June 9th, 2023.

Eremos “Ghost On the River” //

In mid-March, Athens, Georgia, rock band Eremos released the mesmerizing single “Ghost On the River.” The delivery on this track, from the vocals to the lyrics and the emotion behind it, speaks volumes to listeners. Written with minimal production and drawing inspiration from blues, indie folk, rock, and country, Eremos hits every note with “Ghost On the River.” “Ghost On the River” is a timeless song that will have you belting out the words right along with it. The alluring and unique vocals only strengthen as the track continues. A captivating guitar arrangement, emotion-evoking opening vocals, memorable singalong chorus, and a properly placed guitar solo make this song perpetually superb.

Lucky Iris “23” //

Lucky Iris is an alt-pop duo from Leeds, U.K. After a period of writing and developing their sound, the band is gearing up to release their new EP, ‘maybe i’m too much.’ “23” is the first serotonin-boosting single from the upcoming summer EP. The production on “23” takes listeners on a sonic nostalgia journey; it’s truly the “frisson” type experience that many music fans often search for in a song. From what we’ve heard, “23” represents the beginning of a new creative era for the young duo.

Sophia Patsalides “Beautiful Ghost” //

Female Cypriot artist Sophia Patsalides, a new music discovery on Groover, landed on our March playlist with “Beautiful Ghost.” The single has a captivating intro, and the vocals are phenomenal. The buildup in this song and the recurring loop from the opening easily make it a breathtaking earworm. Sophia’s pop and R&B style on “Beautiful Ghost” solidifies our interest in the new emerging artist.


March was a massive month for new releases, so check out the full “New Music Emerging Now: March Moods” playlists below.

// MARCH SPOTIFY PLAYLIST // MARCH APPLE MUSIC PLAYLIST //

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